A Quote by Storm Jameson

Language is memory and metaphor. — © Storm Jameson
Language is memory and metaphor.
Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
If technology is not a metaphor for memory, what is it?
For better or for worse, music is the language of memory. It is also the language of love.
It is by metaphor that language grows.
Metaphor is embodied in language.
Metaphor is no argument, though it be sometimes the gunpowder to drive one home, and imbed it in the memory.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
Audio virology is not a metaphor. It is to be taken literally. It maps real processes of mutation, transmission, contagion and memory within music culture.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
I listen to people talking sometimes, that great river that is language, with all its undercurrents of grammar and nuance, and I wonder how we all learn so quickly to speak it, given that we begin when we are barely old enough to stand upright. I have no memory of finding it hard. Indeed, I have no memory of it at all.
Metaphor is the only possible language available to religion because it alone is honest about Mystery.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
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