A Quote by Storm Saulter
I'm most alive when I'm on set. Whether I'm imagining it on my head, I know what I want to capture.
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I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
Life is so fluid that one can only hope to capture the living moment, to capture it alive and fresh ... without destroying that moment.
BY YOUR RESPONSE TO DANGER IT IS
EASY TO TELL HOW YOU HAVE LIVED
AND WHAT HAS BEEN DONE TO YOU.
YOU SHOW WHETHER YOU WANT TO STAY ALIVE,
WHETHER YOU THINK YOU DESERVE TO,
AND WHETHER YOU BELIEVE
IT'S ANY GOOD TO ACT.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
When I first did 'The Lord of the Rings,' I was acting on the set with the other actors, but then I had to go back and repeat the process on my own to do the physical capture on a motion capture stage.
Those who insert themselves into as many channels as possible look set to capture the most value. They'll be the richest, the most successful, the most connected, capable and influential among us. We're all publishers now, and the more we publish, the more valuable connections we'll make.
For man, the vast marvel is to be alive. For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive. Whatever the unborn may know, they cannot know the beauty, the marvel of being alive in the flesh. The dead may look after the afterwards. But the magnificent here and now of life in the flesh is ours, and ours alone, and ours only for a time.
All has gone to rest, and I don't know whether I'm alive or will live or whether I'm rushing like this through the world for I'm not longer weeping or laughing
I guess in all of the obvious ways. I can afford more diapers for my children. If I want to buy a complete set of Garbage Pail Kids on Ebay I don't have to ask my wife so hard. For the most part, it's mostly the same. I keep my head down and I just work on comics for most of the time.
What do you want? "To know you," she said without hesitation. "All of you. I want to know what makes you feel good." "Your laughter," he said without hesitation. "Feeling your hands on me. The way you look at me, whether I've been a complete dumbass, or just made you come-" With a laugh, she ducked her head, but he dipped his down until she was looking at him again. "You want to know what scared me?" he asked. "Yes" He leaned even closer and slid a hand to the nape of her neck. "The thought of never having those things with you again." -Chloe and Sawyer (Head over Heels)
When you have the smaller guards - whether it be 6 feet, 6-2, 6-1, or under - they're the most energetic, and they set the pace, whether it be shoot-around, practice, and in the game.
We're living at a time when attention is the new currency. Those who insert themselves into as many channels as possible look set to capture the most value.
Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.
“Hey, Adam,” I said. “I thought you'd want to know that Warren and Darryl made it out of the vampire den alive.” I sucked in my breath. “You didn't actually agree to their meeting on Marsilia's grounds?” He laughed. “No, it just sounded better than saying they made it out of Denny's alive. It might not be romantic, but it's open all night and set in the middle of a brightly lit parking lot with no dark places for skulking parties to ambush from.”
I don't want to die. I can't wrap my head around the concept of death because I'm totally atheist. There's nothing after life in my head, whether that's right or wrong.
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