A Quote by Story Musgrave

I have a great relationship with animals, and with children. I get to their level. I try to see the way a child looks at the world, it's hugely different. — © Story Musgrave
I have a great relationship with animals, and with children. I get to their level. I try to see the way a child looks at the world, it's hugely different.
Love. Children are loving, they dont gossip, they dont complain, theyre just open-hearted. Theyre ready for you. They dont judge. They dont see things by way of color. Theyre very child-like. Thats the problem with adults: they lose that child-like quality. And thats the level of inspiration thats so needed and is so important for creating and writing songs and for a sculptor, a poet or a novelist. Its that same kind of innocence, that same level of consciousness, that you create from. And kids have it. I feel it right away from animals and children and nature. Of course.
When you have a child, your relationship with every child in the world changes. It's like you're in a club you didn't know existed before a child came into your life. I believe you should make the world more beautiful for all children in any way that you can.
Reversal is something that has been demonstrated in a number of different animals in a number of different ways. I think that's going to translate into larger animals and humans. We won't know until we try. But we are trying 65 different genes in different combinations to see if we can reproduce the aging reversal that we've seen in small animals.
I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.
I enjoy entering the viewpoint of characters who are as different from myself as I can get - children, elderly women, animals, a sexy death row murderess - and to imagine how these disparate individuals see the world's cruelty and beauty and vastness.
Any child born into the hugely consumptionist way of life so common in the industrial world will have an impact that is, on average, many times more destructive than that of a child born in the developing world.
While I was writing the book, one of my children was diagnosed with dyslexia. Dyslexia is a very tiny word for a wide-ranging neurological condition that affects different people in different ways. But I was reading an awful lot about it, to try and find ways of helping my child. I think a lot of fiction comes from this desire to confront unanswerable questions, and it's heartbreaking to see your child, a bright child, struggling so much with something that others are finding so easy. It's such an assault to the child's self-esteem and, as a mother, it's hard to watch.
If you add children to a marriage, they bring a different dimension to the relationship. If I'd had a child and I believed it would have made my child's life better by not coming out, the chances are I wouldn't have done it. Because I think you do whatever it takes to make your child happy.
When I met Akira Kurosawa in Japan, one question he asked me was, "How did you actually make the children act the way they do? I do have children in my films but I find that I reduce and reduce their presence until I have to get rid of them because there's no way that I can direct them." My own thought is that one is very grand, like an emperor on a horse, and it's very hard for a child to relate to that. In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them.
I limited myself to introduce a change in my way of thinking and the way I see things. When I look at my child, I do it in a different way then when I'm contemplating a chair. They are different... the child is a living being, and the chair is an object.
I limited myself to introduce a change in my way of thinking and the way I see things. When I look at my child, I do it in a different way then when Im contemplating a chair. They are different... the child is a living being, and the chair is an object.
Each child should try to see in his parents the children they previously were. Each parent should try to see in his child the adult he seems to be becoming.
Before I was a vegetarian, I traveled to South Africa and hung out there for a little bit. And they had different animals - did you know different parts of the world have different animals? Because I didn't until I got there! This is what being an American is like. You're like, "Every place has these animals."
A Child of Happiness always seems like an old soul living in a new body, and her face is very serious until she smiles, and then the sun lights up the world. ... Children of Happiness always look not quite the same as other children. They have strong, straight legs and walk with purpose. They laugh as do all children, and they play as do all children, they talk child talk as do all children, but they are different, they are blessed, they are special, they are sacred.
Until you have a child, it's very tempting to look at the state of the world and say, "To hell with it, in 50 years I won't be around anyway." But if you have a child you don't say that, because even if you're not around in 50 years, your children presumably will be, and maybe even their children. You think of yourself as responsible to future generations in a whole different way.
Children are our second chance to have a great parent-child relationship.
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