A Quote by Stromae

I think that's our problem in Europe: we used to be a bit negative on everything. That's good sometimes, but when it's too much... It's not good. — © Stromae
I think that's our problem in Europe: we used to be a bit negative on everything. That's good sometimes, but when it's too much... It's not good.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
Although sometimes I might sound sometimes idealist or too optimistic but I think my father used to say to me in everything bad there's something good that is going to come out of it and there will always be a tomorrow.
I used to think this notion of preaching to the choir was a problem, and we kind of use it in a bit of a pejorative sense... but I've actually grown to adopt that perspective that the choir needs good preaching - they need good information. They need good tools and insight.
I think social media is good for promotion, stuff like that, but people are so negative. People are too negative. If you read the comments, it's just too negative.
In Europe, they like everything you do. The mistakes and everything. That's a little bit too much.
You…made…me…faint,” I accused him dizzily. “What am I going to do with you?” he groaned in exasperation. “Yesterday I kiss you, and you attack me! Today you pass out on me!” I laughed weakly, letting his arms support me while my head spun. “So much for being good at everything,” he sighed. “That's the problem.” I was still dizzy. “You're too good. Far, far too good.
For sure, you don't believe the good stuff. I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.
Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.
Leaks are good. There is too much secrecy in our government. Sometimes the government knows about a problem and it takes a leak to embarrass the bureaucracy and get them to do something about it.
I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.
Our problem with President Obama isn't that he's a bad person. By all accounts, he too is a good husband, and a good father - and thanks to lots of practice, a pretty good golfer.
There's still too much filler, copycat programming that's out there. We work so hard to pioneer new ideas, and then those ideas are just regurgitated by other networks. That's not good for anybody, I think. That's not good for our business. That's not good for our audience.
We are all products of our experiences, good and bad. Sometimes you learn as much from the negative experiences as you do from the positive.
I believe that the source of your inspiration is very important. I sometimes see this problem with photographers, even very good ones, who have drawn too much inspiration from photography and who, over time, have a problem forming their own identity.
I am able to carry storylines. When you're good at what you do, you're going to work. That's a good thing. But from the standpoint of being an attraction, sometimes too much isn't good. So it's a difficult fine line.
I think the real problem is all the negative connotations people have with that term. They think, 'Oh my God! I don't want to be 'plus-size!'' But people attach too much significance to terms. We can't let these terms define us or our beauty.
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