A Quote by Strother Martin
Age is as much an asset for character players as it is for good wine. Human experiences, both good and bad, leave their marks on one's face and bearing. A few lines on the face and a few gray hairs coupled with the idiosyncrasies an actor adopts throughout life help out round out the actor's personality. So far as I'm concerned, the older a character actor gets, the firmer his position is.
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I'm an actor. I'll take a lead if it's offered. The really good actors can fill a character, no matter what the role is. A good leading man is a character actor; a good character actor can be a leading man.
With most good scripts and good shows, they expect the actor to bring some of their ideas to the backstory of the character. It's always a good collaboration between the actor and the writer and the director to try stuff out during the process.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
Dustin Hoffman said this one time, that if he hadn't made it as a film star, he would still be happy as a character actor because he was a character actor because of his face from day one, so he would always work in the theater.
Bob Duvall is a great actor because each time out, he creates a whole, complete character. You have the feeling that you're not seeing an actor at all, but a fully realized human being. Think of how he was in The Godfather. If you didn't know Bobby, you'd think that he really was Tom, the consigliere. Then you see him in Santini, and he's completely different. He's not only a personality, he's a consummate actor.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
Well, I'm a character actor, and actually throughout my life I've... I have relatively speaking played few heroic leads, but I've done it.
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character.
I’m not good-looking. I used to be, but not anymore. Not like Robert Taylor. What I have got is I have character in my face. It’s taken an awful lot of late nights and drinking to put it there. When I go to work in a picture, I say, ‘Don’t take the lines out of my face. Leave them there.’
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
A good actor makes clear the meaning of the words. A better actor gives also the emotion of the part. The best actor adds emotion of which the character is unconscious.
I didn't really look like a character actor, yet those were the roles I loved to play. If you were a character actor who didn't necessarily look like a character actor, you had to play bad guys.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
It's so much easier to write for an actor than for an imaginary character and then try to fit that character to an actor. It doesn't work very often in my experience.
I believe life experiences are what an actor needs to relate to the character roles they take on, and to say the least, I've had many experiences leading up to this moment. Not only have my experiences become a tremendous asset in my acting, but also they helped me discover who I am and who I want to be.
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