A Quote by Stuart Broad

I love that feeling of being in a battle with the new ball, you're getting an opening batsman out while they are desperate to survive. — © Stuart Broad
I love that feeling of being in a battle with the new ball, you're getting an opening batsman out while they are desperate to survive.
Football is based on desperation. All clubs are desperate in one form or another - desperate to succeed, desperate to survive, desperate to stay where they are, desperate that things get no worse, desperate to arrest the slide.
I don't want a new ball when I am bowling in the subcontinent. I want an old ball that can't get hit out of the ground. I want a ball that when I bowl doesn't have true bounce, so that the batsman can't hit it.
My 20s were all about feeling desperate. Desperate to find a new boyfriend. Desperate to get the perfect job. Desperate to get rid of this terrible relationship with this bad new boyfriend.
I am a middle-order batsman. Delivering a 100-crore hit each time is the job of the opening batsman. I will come, do my job to the best of my abilities and leave the rest to my audience.
I love being out there on the mound with the ball in my hand. I can control the game. I'm out there. No clock - nothing happens until I throw that thing. Nothing happens. I love that feeling.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
But I know I would not go out. I had taken this time to fall in love instead — in love with the sort of helplessness I had not felt in death — the helplessness of being alive, the dark bright pity of being human — feeling as you went, groping in corners and opening your arms to light - all of it part of navigating the unknown.
I love feeling that I am opening new worlds for people who don't have time to investigate these things themselves.
In Arthurian battle the trick for us was to figure out how to give it the scale that the movie deserved and fitted in a financial box that was necessary. We made the battle quite a bit bigger than originally intended, just because we felt that being part of the opening sequence of the movie we really needed to grab the audience's attention.
I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
200 for a batsman is a big landmark, and I have never been somebody who has chased landmarks, but getting a 200 will always be a proud moment for a batsman.
I think that the best rock n' roll is about the spirit of being young, the feeling of being 16 and getting crazy with your friends and going out to a show and just that whole feeling.
Opening is about the mindset. You got to respect the new ball.
In New York, everyone's desperate for success, desperate for money and desperate to be accepted, but in London they're more laid back about things like that.
You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.
All I want to say is that when you stop being delusional and start feeling desperate because you're too inept to figure this out on your own, you know who to come to.
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