A Quote by Stuart Broad
I like it when the captain comes to me and says, 'We're really desperate for a wicket, can you get us one?' or when we really need something to happen in a Test match.
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I like to play test cricket. It is really challenging, because you need to really score runs, stay in the wicket and continue for five days.
The captain thing was really an honor, and it was really flattering for me. It was really something that I didn't expect, and I would say that was the highlight of my career so far, being elected captain by my peers.
If you don't perform, and you're part of the team, whether you're playing your first Test or 50th Test match, criticism goes hand in hand, so that's something you can't really get away from. If you don't perform, you will be criticised.
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
No one looks at a baby and says, 'You are going to be a great novelist, and you really need to start writing now.' Something in us says: 'This is what I must do.'
When I grew up, I tried to score off every ball, be it a 10-over-match, a 20-over, or even a Test match. If I stay in the wicket for, say, about 30 minutes, I want to make the most of it and score maximum runs possible. You never know when you get out; try to score as much possible before that.
I'm pretty instinctual when I write, and I really like to get to a point where I'm writing where I don't know what's going to happen next. Usually when I get to that point, something will happen that I find intriguing or interesting, or that will push the fiction in a way that I really like.
Lesson learned? When people say, "You really, really must" do something, it means you don't really have to. No one ever says, "You really, really must deliver the baby during labor." When it's true, it doesn't need to be said.
The key to me, in religion, is just to treat it like it doesn't really matter. We have a Pope, we don't really believe him, we don't really listen to what he says, we don't really take him seriously. That's what has to happen with religion. It has to be marginalized and in the Islamic world, it's not marginalized, it's taken literally.
Being a part of a band is easier to brainstorm, and it's fun - you're encouraged and inspired by the others. In this band, it's especially that way for me, because they're my favorite musicians - they've been my favorite musicians for so long, and I get to play with them now. A lot of times onstage, I'm overcome with admiration or something, which also means that you need to step up, you need to really bear down to match the level of musicianship or artistry. It's really challenging.
I mean honestly, anybody can diss me. I remember 50 Cent said something and everybody was like you need to get at 50 and I was like, 'Whatever, I'm in a whole different place in my life.' It's gon' have to take something really, really serious for me to start putting that much negative energy into the world again.
You really, really feel like you have no control [participating in franchise] . I mean, it's a huge juggernaut, especially when something becomes part of the cultural landscape in a way as well. It's really scary because you get trapped and you get scared of changing, which is the worst thing that can happen if you want to be any kind of artist.
One of the things that's really struck me at McLaren is just how much influence you have as a driver - I can test something in the simulator, or we can work on something in the cockpit, and they'll really listen to my input and, the next time you get in the sim, or the mock-up car, it's been changed at your recommendation.
I remember going, "I'm really excited about this - I really want it to happen. It would be a wonderful opportunity." But if something doesn't happen, then it doesn't happen. My mother and father sort of raised me to look at things that way.
To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
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