A Quote by Stuart Hall
Popular culture is one of the sites where this struggle for and against a culture of the powerful is engaged: it is also the stake to be won or lost in that struggle. It is the arena of consent and resistance.
Related Quotes
The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.
Occasionally, the whole class struggle may be summed up in the struggle for one word against another word. Certain words struggle amongst themselves as enemies. Other words are the site of an ambiguity: the stake in a decisive but undecided battle
Canada has, at times, represented itself as a country in a valiant struggle against powerful and menacing agents that are indifferent to its special practices and sensibilities - most especially American culture. It's the old, outdated garrison mentality.
Feminism is a struggle to end sexist oppression. Therefore, it is necessarily a struggle to eradicate the ideology of domination that permeates Western culture on various levels.
I think, what I want to say is that yes, my ideas have travelled into popular culture they also emerged from popular culture in a way, or from the general public as you put it. But not as a program.
I do not think that everybody has to struggle. But to probably at least half of the people, it never seems to enter their minds that they might be engaged in a struggle or that there might be something to struggle with.
In the industry, people talk about how getting their first project was a struggle but for me, the real struggle in Mumbai was to adapt to the lifestyle, culture and work ethics.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
The only struggle which religions can justify, the only struggle worthy of humans, is the moral struggle against humanity's own disordered passions, against every kind of selfishness, against attempts to oppress others, against every type of hatred and violence.
Dare I speak ,to oppressed and opressor in the same voice? Dare I speak to you in a language that will move beyond the boundaries of domination- a language, that will not bind you, fence you in, or hold you? Language is also a place of struggle. The oppressed struggle in language to recover ourselves, to reconcile, to reunite, to renew. Our words are not without meaning, they are an action, a resistance. Language is also a place of struggle.
I have always regarded global development as a struggle between the forces of good and evil. Not to be simplified as a struggle between Jesus and Satan, since I do not consider that the process is restricted to our own sphere of culture.
The economic class struggle is a struggle against inessanlty intensified exploitation: not only against the brutal material form of exploitation, capitalism's tendency to reduce wages, and against the class 'techniques' for increasing productivity... but also around the question of the technical-social division of labor that prevails om enterprises, and against bourgeois ideology and repression.
I'm entranced by the idea of reading the culture back to itself, because I'm conscious that we as people and also as a culture are myth-making machines. So I'm interested in a resistance to that: What we can bend, what we can break.
The struggle we went through in the last year of 'Journey' was pretty insane, and I think that is also why, when I was working on the struggle level, I was able to channel my own struggle into the game.
When artists and philosophers talk only amongst themselves, they ignore the potential of popular culture to become a variety of dialogues with and between everyday people. Its discourse may be productive of desire and pleasure, but popular culture is also a language in which people discuss politics, religion, ethics, and action.
Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture.
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