A Quote by Stuart Hall
What I realized the moment I got to Oxford was that someone like me could not really be part of it. I mean, I could make a success there, I could even be perhaps accepted into it, but I would never feel it was my place. It's the summit of something else. It's distilled Englishness.
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This very deep, soothing voice came on, saying: "You now have permission to be strong and healthy and calm and relaxed. There's no place else to go. There's nothing else to do." I could feel it in every cell of my body, and I immediately realized, there's something here. I could feel my heart rate slow down. I could feel stress melting out of my body.
I could never know someone who could hurt someone else and not feel like a horrible person.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Being someone that grew up in a biracial household I never really felt accepted by black people when I was a little kid, I didn't feel fully accepted by black kids and I definitely didn't feel fully accepted by white kids cause I just felt like I could never be neither one.
I came to realize that if people could make me angry they could could control me. Why should I give someone else such power over my life?
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.
In 2003, being Virginia Player of the Year was an amazing feeling because I think that was the moment I realized I could actually, really go far in my sport, and I was actually, really good at something. At that moment, I knew that I could play at a high level.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.
Given the way the system was, what could I do as I one person, other than devote my life to fighting to make it different? If I had allowed myself to be filled with hate, I probably wouldn't even be alive, because that hate could've killed me. That hate would've blinded me to my contributions in terms of how I could make a difference. You can't think straight when you're consumed by hate and focused on destroying someone else. Instead, I was bent on trying to destroy a system that was not fair to all of us, and I continue to do that.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I was given a horn at an early age. I never really got a chance to think about doing anything else until I was about 18, when I realized I could do something else if I wanted to. In my teens, I was rolling in it.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
I realized that my money would do vastly more good for others than it could for me and decided to make a commitment to donating to the most effective charities I could find. Many people contacted me asking how they could do this as well, and so I set up giving what we can.
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