A Quote by Stuart Hamm

You look back, and it was important to bring back instrumental music, and it was great to be a part of that wave of instrumental rock music. And clearly it was something I was destined to do.
Being a fan of pop music and rock bands, I am a reluctant convert into the art of instrumental rock music.
It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.
After all my years of doing instrumental music I still like just a simple instrumental song with a nice catchy melody and an opportunity to play a solo over a harmonic structure.
I dread naming pieces of music because being instrumental, most of the time the songs that I write are instrumental, I want the listener to make up their own story as to what it is and get the emotion pure without using logic.
The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.
It's hard to get a start as an instrumental guitar player. It's a much quicker route to be in a band, so I was always in a band and writing songs with singers, but I always had the dream in the back of my mind to make an instrumental record.
Of all the early breakthrough rock and roll artists, none is more important to the development of the music than Chuck Berry. He is its greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
I usually listen to surf music, not much instrumental music, and when I was younger I listened to jazz.
I probably listen to more instrumental music than music with lyrics, but at the same time I do love both.
That's one of the hardest parts of putting together an album - finding that concept, that unifying idea. Especially as I write mostly in instrumental music, the idea of having a central concept that unifies the music is very important to me.
No matter what I do, I've always recognized that Deep Purple is primarily an instrumental band. That's where all the music comes from in rehearsals - it all stems from the music.
Dance music cannot compete with a really great rock n' roll song. There ain't no DJ that's gonna play something that can take 'Mr Brightside' or 'Don't Look Back In Anger.'
I'm trying to bring the romance back to music. Old school... Music is meant to be a part of your blood stream, and if it doesn't affect your bloodstream, then you may as well put it back in the shoebox underneath the bed.
Back in the day, being a young, inspired bass player, I started to gravitate toward jazz fusion. I almost would have called myself an elitist. I got to the point where, for a little bit there, I was more interested in instrumental music.
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