A Quote by Stuart J. Russell
I expect that people are going to feel differently about that once they're aware that AI systems can watch through a camera and can, in some sense, understand what it's seeing.
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Beyond helping other people build AI systems with Deeplearning.ai, I also hope to build some AI systems myself!
Silicon Valley and Beijing are the leading hubs of AI, followed by the U.K. and Canada. I am seeing a lot of excitement in India, going by the number of people who are taking Coursera courses on AI.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
We see and understand more about our behaviors. We come aware. And aware. And aware. . . Often, we feel uncertain about what to do with all this awareness.
I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me.
In political sense, it doesn't really matter what I do on my own, but it's so important to rally some sort of collectiveness and reignite a collective vision, and I think that's something you can do effectively through art and music, and through writing and entertainment - and just through like, pop culture. It's about spreading ideas and making people think differently, essentially.
To my knowledge nobody - no one who is publishing papers in the main field of AI - is even working on consciousness. I think there are some neuroscientists who are trying to understand it, but I'm not aware that they've made any progress.
The real problem is not the existential threat of AI. Instead, it is in the development of ethical AI systems.
This is going to sound crazy, especially in America where there is a total inflation of the word "love," but in a sense you have to love the people in front of the camera. There has to be trust between the one who is behind the camera and the people on the other side, so that they can relax. They have to feel they are safe, and that way they don't have to pretend just because they are scared.
Seeing people Tweet my lyrics and really feeling for me, feeling what I'm feeling... in one of my lyrics I sing about 'the watch I just got for you,' and some girl was like, 'Yes! I bought him a watch!' I can be happy because these women feel me.
I understand and get when kids and teenagers feel like they're alone and it's not going to get better. My advice is that there is a support system out there, there are a lot of people who have been through what you're going through and are going through it now.
Once my family was taken, I became fully aware that my community matters less to some people. That we are treated differently because of the color of our skin or where our parents were born.
Photography isn't about seeing, it's about feeling. If I don't have some kind of feeling for what I'm shooting, how can I expect the person who looks at it to feel anything?
Taking on different characters and seeing things through the eyes of different people is interesting to me. When I look at what people are going through in life, I try to understand their story.
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