A Quote by Stuart Pearson Wright

I'm not some kind of machine that paints pictures. — © Stuart Pearson Wright
I'm not some kind of machine that paints pictures.
A painter paints pictures on canvas. But musicians paint their pictures on silence.
Ever since I was very young, as far back as I can remember, I have loved making pictures. I knew even as a child that, when I grew up, I would be an artist of some kind. The lovely feeling of my pencil touching paper, a crayon making a star shape in my sketchbook, or my brush dipping into bright and colorful paints — these things affect me as joyfully today as they did all those years ago.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
Is it crazy that George Bush, ex-President of America, now paints pictures of dogs? Tiny, little, nice pictures of dogs, after all the suffering that he caused? That's crazy that he's doing that!
White... is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black... God paints in many colours; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.
Fear paints pictures of ghosts and hangs them in the gallery of ignorance.
As a painter paints pictures on a wall, the intellect goes on creating the world in the heart always.
[T]here may be some truth in that if the Arabs have some complaints about my policy towards Israel, they have to realize that the Jews in the U. S. control the entire information and propaganda machine, the large newspapers, the motion pictures, radio and television, and the big companies, and there is a force that we have to take into consideration.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
My dad used to say, 'You have to become part of the machine to beat the machine,' and there's some validity in it. But honestly, even when I'm inside the machine, you still see me. I stick out a little bit.
I'm kind of selective of the people that I take photos of. Like, I don't take pictures of just my friends, but I do like taking pictures of just some of my close mates, especially out in L.A.
Some of my pictures are poem-like in the sense that they are very condensed, haiku-lik. There are others that, if they were poetry, would be more like Ezra Pound. There is a lot of information in most of my pictures, but not the kind of information you see in documentary photography. There is emotional information in my photographs.
If all individuals were conditioned to machine efficiency in the performance of their duties there would have to be at least one person outside the machine to give the necessary orders; if the machine absorbed or eliminated all those outside the machine, the machine will slow down and stop forever.
I want pictures like these. The kind that can capture a moment, make it real, make it last. I need pictures that do more than reflect. I need pictures that are truth.
In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.
When I was a kid, I was obsessed with different planets in the solar system, and I used to create, for every single planet, a different alien race with a certain kind of pet, a certain kind of house, a certain kind of water system, and everything. I would draw these pictures. I had hundreds of these pictures in a box.
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