A Quote by Stuart Pearson Wright
I benefit from contemplation, but it's a great antidote to that, having someone interesting come into the studio environment to be painted, so that I can experience a little bit of their world.
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I feel like the world would be a better place if more people experienced a little bit of someone else's experience.
We live in a world that has very sharp edges. It can be very bitter and if you come across a little bit of random kindness - someone who is nice to someone - then that is always lovely.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
Having a mixed background and feeling a little bit like a fish out of water in most places can be a benefit.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
I am sure having a baby around a working environment changes the tone a little bit.
I grew up in a business-inspired environment, and over the years have started and run several businesses and philanthropic organizations. Understanding how large corporations work, by having hands-on and board experience, I apply that knowledge to the benefit of all that I do.
It's an interesting combination: Having a great fear of being alone, and having a desperate need for solitude and the solitary experience. That's always been a tug of war for me.
It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.
At my last job in the tech world, we'd throttle our wi-fi to experience what download speeds might be like for someone in the developing world. It was our attempt to experience it first hand. I thought it was a bit ridiculous because, no matter what we did, we wouldn't be able to fully experience their world unless we were living it every day.
Love is a balance between independence and interdependence. In love, you want to be independent and interdependent. You want to be a little bit selfish and a little bit selfless. Love can be an antidote to loneliness, as long as there is some aloneness in it.
Usually the way I think someone is radicalized is through a personal experience. The thing about environmental activism is that we are all having a personal experience with our environment, whether we open our eyes or not.
To me idealized characters are so boring to play, especially having grown up in the classical theater. That's a great experience, but as a woman, especially, you've played a lot of idealized characters. So when you've got someone who has weaknesses as well as strengths, that's interesting.
He (Shaithan) is extremely patient. He won't get you in one shot. He'll come at you and he'll put a little bit and a little bit and a little bit until he destroys your character.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape.
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