A Quote by Studs Terkel

One night a guy hit his head on a welding gun. He went to his knees. He was bleeding like a pig, blood was oozing out. So I stopped the line for a second and ran over to help him. The foreman turned the line on again, he almost stepped on the guy. That's the first thing they always do. They didn't even call an ambulance. The guy walked to the medic department -- that's about half a mile -- he had about five stitches put in his head. The foreman didn't say anything. He just turned the line on. You're nothing to any of them.
The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.
Big Foster is a guy who was in line to be the head of this clan that's been up in the mountains for 200 years, because his father was the leader or the Bren'in, his mother is now Bren'in, and they're kind of royalty, so he was in line to be next. He'd been promised it from a young age, but it just hasn't happened.
He made a small sigh, as he swallowed the first blood, then his mouth closed over my earlobe, mouth working at the wound, tongue coaxing blood from the wound. He pressed his body the length of mine, one hand cupping my turned head, the other playing down the line of my body. Maybe it was just blood, but I never stroked my steak while eating it.
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
A moment comes in war when the last line must be crossed. The line that separates what you hold dear from what total war demands. If he couldn't cross that line, the battle was over, and he was lost. His heart, the war. Her face, the battlefield. With a cry only he could hear, the hunter turned. And ran.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
I'm not the All-Star point guard that everybody's dreaming about right now. I'm not that. I wish I was, but I'm a work in progress and I'm not scared to admit that. But what I am is a good citizen and a guy who's not scared to put his neck on the line for his community or for his state. And I'm always going to do that.
I don't know if you want to call it, like, 'an old school guy' or what, but you've got to go out there; you've got to perform in order to get what you want. I'm willing to put my skills on the line and put my heart on the line just to say I'm the best and prove that I can achieve this title.
On 'Oz' one day, I got a chunk of a camera embedded in my head, and I was passed out on the floor geysering blood while the set medic stood over me, freaking out. No help whatsoever. I ended up going to the ER and getting nine stitches in my head - real Frankenstein stitches.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
But the guy who got hit and still tried to get in line, then gets hit again, that's the guy I will take with me on the field every day.
You have to bully a guy like Fury - notice I don't call him 'Tyson.' Truthfully you have to run up on a big guy like Fury and pummel him. He's the type of guy who's strong and determined but he's slow. His awkwardness is his positive.
Jimmy Connors likes the ball to come at him in a straight line, so that he can hit it back in another straight line. When it comes to him in a curve, he uses up half of his energy straightening it up again.
I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.
Say, I was on The Craig Kilbourne Show and the next day I flew to Minneapolis. I was at the airport and a guy came up. He said, 'Dude, I saw you on TV last night.' But he did not say whether or not he thought I was good, he just confirmed that I was on television. So I turned my head away from him for about a minute, then I turned it back. I said, 'Dude, I saw you at the airport about a minute ago. And you were good.'
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