A Quote by Studs Terkel
One of the definitive works on gay life. Through this collective testimony we may come to understand what it is to be 'the other'; in short, the other part of ourselves.
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I love gay people. I have a lot of friends that are gay. If you want to date each other, fine. We'll see how it works. But in the end, they should really go and marry the other type.
I try to ?nd clues in the documented record - from the subject's own testimony, from the testimony of other people. When you're writing a biography, you're trying to understand your subject in the same way that you try to understand one of your friends, and that effort at understanding is always very imperfect.
One works because I suppose it is the most interesting thing one knows to do. The days one works are the best days. On the other days one is hurrying through the other things one imagines one has to do to keep one's life going.
What . . . is this testimony of Jesus, how can it be acquired, and what will it do for those who receive it? The testimony of Jesus is the sure and certain knowledge, revealed to the spirit of a person through the Holy Ghost, that Jesus is the living Son of the living God. Because the testimony of Jesus is God-given, it stands preeminent and is essential to a happy life. It is the fundamental principle of our religion, and all other things pertaining to our faith are appendages to it.
One of poetry's great effects, through its emphasis upon feeling, association, music, and image - things we recognize and respond to even before we understand why - is to guide us toward the part of ourselves so deeply buried that it borders upon the collective.
I understand basketball is not my entire life. It's only a part of my life. And there are a lot of other things that interest me a great deal ... other goals to seek, and this is how I have balance in life.
Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short.
Man holds these rights [life, liberty and property], not from the Collective nor for the Collective, but against the Collective - as a barrier which the Collective cannot cross... these rights are man's protection against all other men.
Jesus doesn’t dominate the other, avoid the other, colonize the other, intimidate the other, demonize the other, or marginalize the other. He incarnates into the other, joins the other in solidarity, protects the other, listens to the other, serves the other, even lays down his life for the other.
My body is really worn out. This pain is part of my life, and I play the match with it. And since no other player has gone through what I've gone through in terms of injury, setbacks, it's hard for them to understand.
Sexuality is a part of our behavior. It's part of our world freedom. Sexuality is something that we ourselves create. It is our own creation, and much more than the discovery of a secret side of our desire. We have to understand that with our desires go new forms of relationships, new forms of love, new forms of creation. Sex is not a fatality; it's a possibility for creative life. It's not enough to affirm that we are gay but we must also create a gay life.
Success only means doing something sincerely and wholeheartedly. I think life is a process. Through the ages, the end of heroes is the same as ordinary men. They all died and gradually faded away in the memory of man. But when we are still alive, we have to understand ourselves, discover ourselves and express ourselves. In this way, we can progress, but we may not be successful.
The assault of our enemies is not part of our life; it is only part of our experience; we throw it off and guard ourselves against it as against frost, storm, rain, hail, or any other of the external evils which may be expected to happen.
I made some shorts that I'm not in. I think because I write so many short stories, it's not that hard to come up with characters that are not me. But my way into making movies has been through performing. My very first short film, I played a child and her own mother. So in some ways, to me, my great achievement so far is just that I've gotten all these other people to play the other parts. That's what makes it a real movie.
It's through the voice that I tend to figure out the character (and through dialogue that I come to understand other characters).
A man, groundly learned already, may take much profit himself in using by epitome to draw other men’s works, for his own memory sake, into short room.
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