A Quote by Sturgill Simpson
I believe framing reality is one of the only ways we can ever be sure it actually exists. In that regard, I feel as though I'm still learning who I am as an artist.
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I, for one, am actually still incredibly idealistic, and I still can credibly or very strongly believe that you have to keep fighting for what you believe in, because it's only when you stop that you've truly lost.
Even though people think I am more of a conceptual artist, I am actually very intuitive. For me, it is still a matter of allowing things to naturally rise to the top of my mental pile, and then I make them.
Yeah, I still feel like I've got no idea what I'm doing! Very much so. I'm not sure when that feeling goes away. I don't know if it ever does. I don't know if you ever do stop learning really.
I feel like I'm moving from a world where I was creating fantasies that weren't real inside - and very often feeling really dissatisfied - to now living in reality for the first time in my life since I was a kid, and learning to appreciate where I am now while actually sitting with that reality.
I know too much; I've seen people at their worst, at their most desperate and selfish, and this knowledge makes me wary. So I am learning to pretend, to smile, to nod, to display empathy I do not feel. I am learning to pass, to look like everyone else, even though I feel broken inside.
I know perfectly well that only in happy instants am I lucky enough to lose myself in my work. The painter-poet feels that his true immutable essence comes from that invisible realm that offers him an image of reality....I feel that I do not exist in time, but that time exists in me. I can also realize that it is not given to me to solve the mystery of art in an absolute fashion. Nonetheless, I am almost brought to believe that I am about to get my hands on the divine.
I'm an atheist. I suppose you can call me a sort of libertarian anarchist. I regard religion with fear and suspicion. It's not enough to say that I don't believe in God. I actually regard the system as distressing: I am offended by some of the things said in the Bible and the Qur'an and I refute them.
I am fiercely loyal and over-possessive, but I am learning to control my being possessive. I have become quite mature, though not as much as I would like to be, but have still improved tremendously. I can't hide my feelings, and it takes a lot of effort to be closed about things I feel for.
That we do not discover reality but rather invent it is quite shocking for many people. And the shocking part about it - according to the concept of radical constructivism - is that the only thing we can ever know about the real reality (if it even exists) is what it is not. It is only with the collapse of our constructions of reality that we first discover that the world is not the way we imagine.
There's no way in hell I'm supposed to be on television or be a broadcaster of any regard. But I have defied those odds because I believe in this: I am damn sure not going to let somebody else define who I am.
I think I have fallen in love and I believe the woman in question, though she has not said so, returns my feelings. How can I be sure when she has said nothing? Is this youthful vanity? I wish in some ways that it were. But I am so convinced that I barely need question myself. This conviction brings me no joy.[…]I am driven by a greater force than I can resist. I believe that force has its own reason and its own morality even if they may never be clear to me while I am alive.
Of course everybody's thinking evolves over time. Only dead people cease learning, and I am not certified dead yet. So I am still learning.
As the beautiful does not exist for the artist and poet alone—though these can find in it more poignant depths of meaning than other men—so the world of Reality exists for all; and all may participate in it, unite with it, according to their measure and to the strength and purity of their desire.
I'm not sure I am a politician. I would say that I am still an artist, and I'm trying to use politics as an instrument for change.
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
That adolescent me, the girl who was, as I remember her, insecure, unsure, dreaming, yearning, longing, that girl who was hard on herself, who was cowardly and brave, who was confused and determined-that girl who was me-still exists. I call on her when I write. I am the me of today-the person who has become a woman, a mother, a writer. Yet I am the me of all those other days as well. I believe in the reality of that past.
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