A Quote by Sturgill Simpson
I thought it was hilarious when 'Brace for Impact' was released, and people said I had abandoned country, even though the song is dripping with pedal steel. If anything, that tells me I'm making progress.
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There were moments where I was being kicked in the stomach, and even though I had this brace on to protect me, I still had to prepare myself for it . You can't be relaxed when that's happening. You have to brace your muscles. I can remember thinking as it was about to happen "Wasn't that how Houdini died?" I think it was.
For Valentine's Day, I wrote my crush a song and had it professionally recorded. I never released it, though, because I wanted it to be a song just for her. I thought it would be more special that way.
Rip Torn had, like, lessons in everything he said, and one of them was, "I know that an actor can undermine anything a director tells him to do by making fun of it." And he thought that that's what I did.
After I released 'Jesus, Take the Wheel,' people started saying, Oh, it's kind of risky. You're coming out with a religious song. And I was thinking, Really? I grew up in Oklahoma; I always had a close relationship with God. I never thought it was risky in the least. If anything, I thought it was the safest thing I could do.
Every part of every song can have a totally different musical sound, because otherwise if I wanted to go from a verse of one song to the chorus of another, I'd have to go: "Uh, okay, press that pedal and then... press that pedal, and then press that pedal off."
I've always had a philosophy that position doesn't define power. Impact defines power. What impact are you making on people? What impact are you making on business?
Global overcapacity in steel production can no longer be ignored. Foreign governments' intervention in steel markets has had a devastating impact on the U.S. industry.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
What really surprised me was that we had released the song 'Kondoram'... without any video and it still garnered so many views. The song had only lyrics and no visuals.
I didn't say I wasn't gonna do rockabilly. I just said I ain't gonna sing no song that ain't a country song. I won't be known as anything but a country singer.
'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.
With 'Louis Wain,' it's a very eccentric film and we had an incredible time. I never thought that me, Sharon Rooney, Andrea Riseborough and Aimee Lou Wood would get to be in the same family. None of us are cat people though, which when you have 20 cats on set is hilarious.
I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.
Listen, when I was real young, I thought I was made out of steel. I didn't think anything could hurt me, I was so powerful. But as time goes on, you find out you are not made of steel.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
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