A Quote by Styles P

I'm always going to survive and always going to be able to make more music because I have a dedicated fan base. — © Styles P
I'm always going to survive and always going to be able to make more music because I have a dedicated fan base.
I think the moment you start trying to please a fan base is when you start going downhill. I'm going to always, always write about what I want, even if it doesn't necessarily cater to most of them.
As far as music, that's always going to be my first love and I've always loved doing music and I always will, but right now it's more into film, television and behind the scenes with writing and producing. I'm still going to keep releasing music for my fans.
I've always wanted to do some kind of merchandising/clothing line/action figures because I know the fan base that I have are very loyal and dedicated, and they've always loved the action figures and other merchandise.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
People are always going to say stupid things, and you're always going to be able to make jokes about that, but it should be the last thing you add in, because it's the easiest thing.
If you're going through a difficult time, and there's a piece of music that speaks to you - be it musically or lyrically or both - you are almost always able to access that music. You're always able to sit down with it.
It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.
I've always felt that where Priest has been able to get to, it's been down to discipline, our real love and commitment to making the best music that we can make, and never forgetting our fan base.
You're not always going to hit the bull's-eye. I'm going to make movies that work and I'm going to make movies that don't work, and that's just a part of being creative. Because really, I think if you're taking risks and you're pushing yourself and you're doing things that scare you, you are going to fall on your face, and it's not always going to work.
I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.
I have enough of a fan-base that I don't feel it is going to evaporate. I don't feel like I have a fleeting fan-base. I don't feel like it is coming from some trend-driven thing where I'm no longer going to be hip. I've come and gone through all that.
Like my little sister and brother, I always play them my music because I want people like them to be able to relate to my music. They always know what's going on; they're up on what's new. For me, when they hear my music and they like it, I'm on the right track.
I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.
When I get ready with my friends before going out, they will always do their base before their eyes. Whereas, my number one rule is to always apply your eye make-up first, followed by your base make-up. This way if the eyeshadow trickles down, you can wipe it away without ruining the rest of your face.
My grandma always said, "Where there's a will, there's a way." I think it's just naturally in our DNA to be able to survive. We was always taught that: to survive. When you talking about slavery, it's to survive.
The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.
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