A Quote by Su Shi

Poetry and painting are rooted in the same law,
The work of heaven and of the first cause. — © Su Shi
Poetry and painting are rooted in the same law, The work of heaven and of the first cause.
Would you know my name If I saw you in heaven Will it be the same If I saw you in heaven I must be strong, and carry on Cause I know I don't belong Here in heaven Would you hold my hand If I saw you in heaven Would you help me stand If I saw you in heaven I'll find my way, through night and day Cause I know I just can't stay Here in heaven
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
Painting something that defies the law of the land is good. Painting something that defies the law of the land and the law of gravity at the same time is ideal.
A just law is a man-made code that squares with the moral law or the law of God. An unjust law is a code that is out of harmony with the moral law. To put it in the terms of Saint Thomas Aquinas, an unjust law is a human law that is not rooted in eternal and natural law.
To put it in the terms of St. Thomas Aquinas: An unjust law is a human law that is not rooted in eternal law and natural law.
Poetry is superior to painting in the presentation of words, and painting is superior to poetry in the presentation of facts. For this reason I judge painting to be superior to poetry.
In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.
Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.
Painting was called silent poetry and poetry speaking painting.
The sage says that all that is under heaven incurs the same law and the same fate.
The first Law of Heaven is obedience, and it should be the first law of every home. It is the foundation of an orderly home, a successful family, and the successful lives of the children. The wife is the key.
If you call painting dumb poetry, the painter may call poetry blind painting.
Any work that is not rooted in myth and poetry or that does not partake of the depth and essence of the universe is merely a ghost.
Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation.
Painting is silent poetry, and poetry is painting that speaks.
In printmaking, I essentially use the same process as in painting with one important exception ... to try, with sensitivity to the medium to emphasize what printing can do best ... better than say, painting or collaging or watercolour or drawing or whatever ... Otherwise, the artist expresses the same vision in graphics that he does in his other work.
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