A Quote by Subhash Kak
People embrace false magical theories in the hope something good will come out of them. In the most extreme of these, good comes out of them only at the end of this life, in paradise.
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When people express what is most important to them, it often comes out in cliches. That doesn't make them laughable; it's something tender about them. As though in struggling to reach what's most personal about them they could only come up with what's most public.
You put as much effort as you can when they're young into trying to teach them to be good people or make them the best they can be, and they're older now, my kids. I'm at that stage where I let them go, and you just hope that all that nurturing you did earlier on sticks, and you launched good people out there.
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
It's good to go with your gut instincts in life. You just should. Even if it doesn't work out, something good will come out of it.
The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
One of the main reasons people get bullied, in any walk of life, is because they are different. So I think that to throw kids in at the deep end when they are young is a good thing. It gets them used to other people and some of the things they will face. It takes them out of their comfort zone.
Unlike in school, in life you don't have to come up with all the right answers. You can ask the people around you for help - or even ask them to do the things you don't do well. In other words, there is almost no reason not to succeed if you take the attitude of 1) total flexibility - good answers can come from anyone or anywhere (and in fact, as I have mentioned, there are far more good answers 'out there' than there are in you) and 2) total accountability: regardless of where the good answers come from, it's your job to find them.
Antiphon, as another man gets pleasure from a good horse, or a dog, or a bird, I get even more pleasure from good friends. And if I have something good, I teach it to them, and I introduce them to others who will be useful to them with respect to virtue. And together with my friends I go through the treasures of wise men of old which they left behind written in books, and we peruse them. If we see something good, we pick it out and hold it to be a great profit, if we are able to prove useful to one another.
That's what I find with any good song, you just have to let it happen. Out of about twenty songs you might write, one of any significance. It might be thirty or forty, but I just keep churning them out and churning them out in hope that one of them will stick.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
His mom always said that trust was something you earned. And it wasn't something you gave easy. Too often, it was a tool your enemies used to hurt you with. 'Give them nothing, baby. Not until you have no choice. The world is harsh and it is cold. People can be good and decent, but most of them are only out for themselves and they'll hurt anyone they can'.
What's happened in my career has been about knowing myself and realizing my flaws are my strengths, and to embrace them; to access what I'm really good at, and what I'm not so good at; and tune out the voices that get inside your head and make you think you can't do something.
If you're going to write something, that's going to be read by people, a lot of people, you hope it will not only entertain them but maybe do them some good in some way.
I would like to see every gay doctor come out, every gay lawyer, every gay architect come out, stand up and let that world know. That would do more to end prejudice overnight than anybody would imagine. I urge them to do that, urge them to come out. Only that way will we start to achieve our rights.
I don't really think much of any songs I put out like I know... I think they're good, that's why I'm putting them out. But like I don't ever try to expect anything, so even with 'Caroline' or 'Red Mercedes,' I just put them out and hope for the best and people kind of gravitate towards them and I guess that's pretty cool and that's a blessing.
Every time I go out to perform, believe me. You never lose that fear of, 'I hope I do it right. I hope I don't fall flat on my face. I hope this will be good for them.'
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