My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
I am honestly very intimidated when I meet new people and they expect me to be the onscreen Vir. On stage, I say a lot of things I might never say in real life; I am never the life of the party. People are quite surprised to see that I am more of a quiet artiste off stage.
My role as Chitra is synonymous to my character in real life. If Chitra is crying or shouting or reacting in a certain way then Sudha would have reacted in the same manner.
I would say about individuals, A Individual dies when they cease to to be surprised. I am surprised every morning when I see the sunshine again. When I see an act of evil I don't accomodate, I don't accomodate myself to the violence that goes on everywhere. I am still so surprised! That is why I am against it. We must learn to be surprised.
In the old days, a con man would be good looking, suave, well dressed, well spoken and presented themselves real well. Those days are gone because it's not necessary. The people committing these crimes are doing them from hundreds of miles away.
People always ask me how I start a collection, and I tell them that I just look around. What am I tired of? What am I in the mood for? Real fashion change comes from real changes in real life. Everything else is just decoration.
Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.
But, in real life, I'm not a sex symbol. I'm popular with female viewers, but television is fantasy land. People watching don't see the real person; they see a romanticised image.
I take it as a real compliment that people believe that I can in some ways mine the disenfranchised, the marginalized, the somewhat off-center - psychologically speaking - people in our society, and bring a real humanity to them, and make people see what would otherwise be a person that you would hate. Find a reason to love them and see the world from their point of view.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
Most people who make movies are in real life a bitter disappointment. I, on the other hand, am so much better in real life.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
Life comes when you have knowledge, wisdom, and understanding, when you can see for real, touch, and feel for real, know for real. Then you are truly living.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
On Facebook, Twitter, texting, e-mails, remember, it's a mode of communication, it is not communication. It's not real life. So step aside, make sure people see something other than the top of your head and live in real time, in the real world.