A Quote by Sudha Chandran

I began learning how to dance when I was 3 and a half years old. — © Sudha Chandran
I began learning how to dance when I was 3 and a half years old.
My first dance class was with Shiamak Davar when I was seven-eight years old. My mom insisted that I start learning to dance early because she's a trained classical dancer.
Whether it's 18 years old or 40 years old, we think we know what's going on. But if you're lucky enough to continue the journey, its amazing how we keep learning how much we didn't know.
One of my lungs is half gone, and the other half, because I smoked for years, has a lesion. So I can't swim anymore and had the swimming pool covered over. Now it's what I call the dance pavilion, and so I and my friends sit out and put music on and watch people dance.
I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.
I am learning how to dance hip-hop. I'm a good dancer when I dance salsa.
I was 7 years old when the '80s began and 17 years old when they ended, so it was an incredibly formative decade for me.
Life seemed to be an educator's practical joke in which you spent the first half learning and the second half learning that everything you learned in the first half was wrong.
My family fled the Soviet Union when I was three and a half years old. Upon arriving in New York City in 1979, my father worked multiple jobs to support us, all the while learning English at night.
Communication is the most important skill in life. We spend most of our waking hours communicating. But consider this: You've spent years learning how to read and write, years learning how to speak. But what about listening?
Because I have been a magician for many years, people have often asked me whether I ever have sawn a woman in half. I reply, Oh, yes I've sawn over seventy women in half in my lifetime, and I'm learning the second half of the trick now.
A daughter of a King of Ireland, heard A voice singing on a May Eve like this, And followed half awake and half asleep, Until she came into the Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue. And she is still there, busied with a dance Deep in the dewy shadow of a wood, Or where stars walk upon a mountain-top.
When I began to direct, I began to understand and realise that everything that I'd learnt, both in music and dance and in the theatre, seemed to come together as a director, and I began to enjoy it. And slowly I let the acting go.
To be lovingly present through the primal, naked pain that marks aspects of birth, and to be lovingly present through the difficult, heart-wrenching ending that marks aspects of death is to learn about life and love. Fear may be strong but love is stronger. Learning how to love includes learning how to make room for and transform fear. Learning how to live involves learning how to die. Love alone is the most potent power illuminating the breath's journey in between these thresholds. Love is the key. Love is the dance.
For the artist who practises photography, capturing the image is learning how to sketch on some medium, but is only half the challenge; learning how to print is applying a subjective pallet to that sketch, and completes the creative process.
I spent the first half of my career learning what to put into my work, and the second half learning what to leave out.
I was 7 years old when I began composing. I began composing, improvising at the piano, the usual story.
This site uses cookies to ensure you get the best experience. More info...
Got it!