A Quote by Sudha Chandran

I have worked with other production houses, but Balaji feels like homecoming. — © Sudha Chandran
I have worked with other production houses, but Balaji feels like homecoming.
No actor can refuse a combination of a good story, a Balaji production, and the show being aired on Star Plus.
And that was my homecoming. It was fine, I guess. Getting back feels like your first breath after nearly drowning. Even if it hurts, it's good.
Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.
I've worked with the great and the not-so-great. But mostly, I've worked with men and women who loved their profession and who, like me, had kids to raise and houses to pay for.
They both seemed to understand that describing it was beyond their powers, the gratitude that spreads through your body when a burden gets lifted, and the sense of homecoming that follows, when you suddenly remember what it feels like to be yourself.
Because homecoming came first, and there was the homecoming court. The five guys on homecoming court were disqualified from being in the prom court. So being prom king was being sixth most popular.
So many people have gone to music production schools for years and years, and they've wanted this their whole entire life, and part of me feels like I've kind of cheated that a bit because I'm not grade A on piano, and I don't know a lot about production. But I do what I do.
The current climate doesn't represent a threat to the production of art but to the market. I think it's time for artists to get over auction houses, galleries, and high-production-value exhibitions and start using our voices again.
Houses! I hate houses. I like public places. Houses break your heart.
Doing a film with YRF is like a dream come true for a newcomer. It's like a family here. Everyone looks after you. If you do your work well, they appreciate you. You are in safe hands with such production houses.
Your homecoming will be my homecoming
Like AEW, it kind of feels like they're treating you like a professional athlete, and Lucha Underground is like a lot of TV production stuff. It felt like they treated you like a professional actor. The treatment was just above that for a wrestler.
In the past, I played in bands, worked at coffee shops, babysat, and worked as a production assistant.
I mean, it feels like a homecoming in a really wonderfully comfortable place to be - the same director, the same musical director, my same dressing room! [laughs] It's a great place to build something with freedom.
I thrive on production. It feels very much like a natural environment for me.
You must keep people happy backstage because that affects what's onstage. During a run, the playwright feels like the mayor of a small town filled with noble creatures who have to get out there and make it brand new every night. When a production works, it's unlike any other joy in the world.
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