A Quote by Sudha Chandran

My character of Ammaji in 'Solhah Singaarr' is that of strict matriarch who adheres to her values. — © Sudha Chandran
My character of Ammaji in 'Solhah Singaarr' is that of strict matriarch who adheres to her values.

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I grew up in a house that was the traditional African-American home that was dominated by a matriarch, and that matriarch was my grandmother. She was tough. She was strong. She was powerful.
I am actually what my age and my upbringing have made me - a bourgeois who adheres to the British constitution, adheres to it rather than supports it, and the fact that this isn't dignified doesn't worry me.
My grandmother was the matriarch. If you didn't have a place to stay, if you needed food, if you were just coming out of jail or rehab, you went to her. Watching her in our family and our wider community was what inspired me and still does.
Ah! how much a mother learns from her child! The constant protection of a helpless being forces us to so strict an alliance with virtue, that a woman never shows to full advantage except as a mother. Then alone can her character expand in the fulfillment of all life's duties and the enjoyment of all its pleasures.
An important fraction of United States industry adheres to the idea that research of a fundamental character is worthwhile from a practical point of view.
[Margaret Thatcher] scorned and despised other women, and predicated her values entirely on the values of her father, a small town shopkeeper.
A character like Baahubali required a preparation that I had to undergo mentally and physically - from undertaking a strict routine and a lifestyle, which helped me become the character physically, to knowing the character's depth and a lot more.
Dad was a very gentle, sweet man. Mum was the matriarch and the patriarch of the family. She ran the roost with a steel fist, but at the same time there was respect and love for her.
Contradiction is the heart and soul of character and drama. You're always looking for it. I loved her so much I hit her; that's character. I loved her so much I hit her again; that's even more character.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
Man, born of woman, has found it a hard thing to forgive her for giving him birth. The patriarchal protest against the ancient matriarch has borne strange fruit through the years.
Italy's assets are her style, her beauty, her creativity, her passion, her energy, her technology; and these will be core brand values of all our cars. Fiat as a company has a long way to go and a steep road ahead.
We all are brought up on some values, and I believe values define a man's character.
Plus her mom was so awesome. She was strict about some things—don’t leave your socks lying around—but so not strict about other things, like calling the cops about my bullet wound.
Developing a character with genuine depth requires a focus on not just desire but how the character deals with frustration of her desires, as well as her vulnerabilities, her secrets, and especially her contradictions. This development needs to be forged in scenes, the better to employ your intuition rather than your intellect.
My social media is very strict to my character and I've disabled comments on a lot of things because why would the Aleister Black character care about comments?
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