A Quote by Sudha Murty

For me, writing in English is not an easy task. — © Sudha Murty
For me, writing in English is not an easy task.
It's a complicated process being so bilingual. Sometimes it's a mere word or sentence that comes to me, if I'm writing the book in English, in French. It's not always easy to deal with. Sometimes even during an interview somebody can ask me a question in English that I want to answer in French and vice versa - that's the story of my life!
Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
Writing 'Mayanagri' was not an easy task.
People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.
Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.
Honestly, every movie I do in America, the only challenge for me is English. I've done everything already, for me it's pretty easy. Only the English.
When I'm writing poetry, 99.9% of my writing begins in English. I spent most of my life in English, although I am bilingual.
To make a movie about someone who is thinking and writing is scary. There's no big love story, no action, no drama. It's not an easy task.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.
It was very lucky for me as a writer that I studied the physical sciences rather than English. I wrote for my own amusement. There was no kindly English professor to tell me for my own good how awful my writing really was. And there was no professor with the power to order me what to read, either.
If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect's task - his most difficult task - is always that of selecting.
When I was in college, I did do some writing of poetry, somewhat inspired, I think at that time, by Carl Sandburg, because English was still relatively new to me, and Sandburg, of course, wrote in a very easy-to-understand, very colloquial and informal manner.
When I was at UCLA, a professor there encouraged me to write, and so I looked into specializing in creative writing in the English Department. And through that, I started writing plays.
I always lived in a multilingual society (Polish-Ukrainian, German-Ukrainian, English-Ukrainian), and was open to outside linguistic influences. I think it was within three years of coming to the US that I started writing in English, although purely for myself, not trying to get it published. Living in America, I was constantly in touch with English, and Ukrainian was for me a private language.
English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent.
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