A Quote by Sue Barker

When I became a presenter, Bob Wilson was the only other ex-sportsman doing it. — © Sue Barker
When I became a presenter, Bob Wilson was the only other ex-sportsman doing it.
The "Highway 61" album [of Bob Dylan] was produced by Bob Johnston if I'm not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson. Tom Wilson had produced jazz records and was a Harvard educated.
I fell into presenting after doing about a decade of parody shows of presenter-based shows, and a lot of it was me parodying a presenter, so when I started doing 'Have I Got News For You', I carried on that persona.
All people who are trying to say that only a sportsman should be appointed as an ambassador, I would like to differ from them. No need to think that only a sportsman can represent the country.
My first professional set was 2014, and it was for a show called 'Bob Servant' for BBC Scotland. I was working in theater for Dundee Rep Theatre doing 'Hecuba,' and I also got this other job, 'Bob Servant.' It was only three days filming.
My mother, Jeanne, was a TV and radio presenter in Jamaica. Bob Marley used to appear on her shows all the time and so she knew him quite well.
All "bad" presentations struggle to keep the audience interested. The audience squirms wishing they could escape. The audience has given the presenter an hour of their life, so they want that hour to be useful. It's disrespectful of a presenter to not show up rehearsed and prepared with information and insights that will improve the lives of the audience in some way. Presenting will do only one of two things for you: it will either diminish your credibility or yield results. Most bad presentations hurt the presenter's credibility.
Mike, did you ever see the movie 'Cast Away?' In that movie, Tom Hanks' only friend was a ball named Wilson. In this game, Russell Wilson's only friend is a football.
It sounds lonely being Bob Dylan, because Bob Dylan likes being around other Bob Dylans, and there are not many other Bob Dylans around.
I was a keen sportsman, and became school captain in soccer and cricket.
It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.
At the end of the playback of the take of "Like A Rolling Stone", or actually during the thing, Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy's not an organ player. And Dylan said, I don't care, turn the organ up, and that's really how I became an organ player.
There were only a few seats left in coach and Bob found himself seated next to a young female fan. 'I can't believe I'm sitting next to Bob Dylan!' she screamed.'Pinch yourself,' said Bob."
In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
As soon as I moved to Princeton in 1978, I became fascinated by local history, much of it Revolutionary War-era; and I became fascinated by the presidency of Woodrow Wilson at Princeton University.
It doesn't annoy me but I think of myself as a presenter who is gay, rather than a gay presenter. It's a subtle distinction, but that's how I view it.
Writing songs with Brian and performing them with Al Jardine, Dennis Wilson, Carl Wilson, David Marks, Bruce Johnston and many other brilliant musicians over the years is my legacy, and something of which I am very proud and protective.
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