A Quote by Sue Barker
I work on 'A Question of Sport' which comes out of Manchester and you see how it's important to take parts of the BBC to other parts of the nation.
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I do not own a car, and my main form of travel to Westminster and in my constituency is by bicycle. I also take my bike on trains to meetings in other parts of the country, which enables me to see other cities and the other parts of the country.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
The soul consists of two parts, one irrational and the other capable of reason. (Whether these two parts are really distinct in the sense that the parts of the body or of any other divisible whole are distinct, or whether though distinguishable in thought as two they are inseparable in reality, like the convex and concave of a curve, is a question of no importance for the matter in hand.)
If you only take parts that are offered to you, you end up playing the same roles over and over again. I think it's important to keep auditioning. I think it's important to scare yourself; to take parts that are outside of your comfort zone.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
The whole history of these books (i.e. the Gospels) is so defective and doubtful that it seems vain to attempt minute enquiry into it: and such tricks have been played with their text, and with the texts of other books relating to them, that we have a right, from that cause, to entertain much doubt what parts of them are genuine. In the New Testament there is internal evidence that parts of it have proceeded from an extraordinary man; and that other parts are of the fabric of very inferior minds. It is as easy to separate those parts, as to pick out diamonds from dunghills.
Life, like any other exciting story, is bound to have painful and scary parts, boring and depressing parts, but it's a brilliant story, and it's up to us how it will turn out in the end.
Just look at Andy Roddick. He has the biggest serve on the men's tour and he's not the No. 1 because other parts of his game are not so good. I think it's more important to have the desire and the other parts of your game.
Art is precisely that condition which pertains when, after all analysis and reduction to parts has taken place, there remains a 'quality' which is more than the sum of those parts, which could not exist in any other form, and which cannot be caught, or held, or contained.
There are parts that you can do them all your life, and no one knows you're even acting, and there are other parts which somehow - I think they say they 'pop' - people notice that you're in and you become an actor from the movies and people take you in a whole different way. Whether or not I can keep that ball rolling is another matter.
You make good work by (among other things) making lots of work that isn't very good, and gradually weeding out the parts that aren't good, the parts that aren't yours. It's called feedback, and it's the most direct route to learning about your own vision. It's also called doing your work. After all, someone has to do your work, and you're the closest person around.
We have repeatedly observed that while any whole is evolving, there is always going on an evolution of the parts into which it divides itself; but we have not observed that this equally holds of the totality of things, which is made up of parts within parts from the greatest down to the smallest.
We must travel; we must go to foreign parts. We must see how the engine of society works in other countries, and keep free and open communication with what is going on in the minds of other nations, if we really want to be a nation again.
Producing is getting the performances, tracking it, making sure all the parts are there. Mixing is when you take the finished work, and you make sure all the levels are right. It's putting all the parts together.
You see where the fighter jets are so old that they can't get parts anymore. They have to go to plane - airplane graveyards and museums to get parts for our fighter jets that we're currently using. They don't make the parts. And you have other countries that have brand new equipment. And in some cases, we sell them the equipment. The whole thing is ridiculous.
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