A Quote by Sue Bird
A lot of us players, if you were to ask them, feel like they have to play overseas. Why? 'Why not? Might as well do it while I can.' For a while, I felt that way - I've got to make the most money that I can. Now, do I feel like I could still play overseas? Absolutely. But I don't feel that pressure anymore.
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I feel like I've done Pete Hornberger, and that is a painting I have signed, and I don't need to play that character anymore. So I'll get offers for panicky, pathetic guys, and while it's a great compliment to get them, I feel like I don't need to play that again.
Victorious. I feel that is why I did all the training, why I make the sacrifices, that is why I got into the shape I am in. I feel I have won, that's millions more coming my way, I feel great.
It's very easy when you have someone in front of you that you can chase. You want to be No. 1 but now I feel like I have to play well because everybody looks at you as a best golfer. So that's why I put more pressure on myself.
When you play in Toronto you feel like you're playing overseas. We can't wait to go on the road sometimes just to be in America.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
I still feel like I've got a lot of great football in front of me and the way that I've taken care of myself better the last few years. I think is going to put me in position to be able to play really well late in my 30s and even in my early 40s, possibly, if they'd like to keep me around that long and I can still play a little bit.
My standup is years and years of me working things out on the road. I'm really proud of it! A lot of it is about, well... I don't know why I feel this way, but I feel like every special or show I do is some variation on how I feel like I'm not a girl, not yet a woman.
I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.
I wouldn't even feel sorry for us if I was going against us. I know teams are licking their chops. The Bulls or Milwaukee, they're excited. Even though somebody is hurt they're still excited because they feel like we're a man down and we might not be as strong, but we're confident here. We got the players to still make something special happen. Guys just have to step up as a unit.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
By no means could I play at the level of these kids who play in the NHL now but as 50-year-olds go, I feel really good and I feel blessed that I'm still healthy.
I think writing kind of burns out the flaming question. Sometimes it might feel like when you're living with certain paradoxes and they're unarticulated, you feel pressure to choose. I feel more comfortable living in the paradoxes that I've named and laid out, whereas when I started they might have felt like real agitations. At least I see them more clearly after having sketched them for myself and made a place to stand in relationship to them that felt okay enough to last through the course of a book.
My new apartment might be a place where there are lots of children. They might gather on my porch to play, and when I step out for groceries, they will ask me, "Hi, do you have any kids?" and then, "Why not, don't you like kids?" "I like kids," I will explain. "I like kids very much." And when I almost run over them with my car, in my driveway, I will feel many different things.
I'm aware of the subgenres and why they exist. But I don't feel like I have to limit myself. I don't feel like I just have to play deep house, just play tribal house, just play progressive house. I wouldn't feel right if I had to limit myself.
I don't know why one author writes westerns while another writes detective novels. You don't know why. You go where the intensity is. I feel most comfortable writing about monsters. It's possible that I feel like a monster myself. Or maybe it's because we all have a monster inside of us, a vampire, a ghost, a witch or a werewolf. You do it because it works and it feels really right and authentic.
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