A Quote by Sue Bird

The only thing that I've really noticed in my own experience is just people kind of saying that a woman, when they react to something exciting, 'Oh, that's a masculine way of reacting.' And to me, that's absurd. It's like, that's how humans - they get excited, and you yell, and you jump, and you flex. That's what you do.
I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.
As an actor, you can really play the intensity and gravity and seriousness of the moment, and just rely on the circumstances being funny. The joke is kind of the situation you're in, or the way you're reacting to something, as opposed to the characters just saying something witty.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
The best way to test whether you are saying the truth or not - if you say something and people don't react then it's not the real truth. But if people start reacting then what you are saying has got an element of truth.
I remember Chris Cooper saying to me - I was doing October Sky with him - and he said, "You know, you're just yelling at me." He's like, "You're just yelling. You need to listen." We were in a fight, and you know, oh you'd get so excited as an actor, you're like, "We have a fight, oh, I get to get mad." And he just said, "You need to listen." And I started listening - and then all of a sudden where I was listening was where, I don't know, anger became something else.
I just don't like people coming up to me and saying something. It immediately makes you become insincere. There is no way you can react to it sincerely.
There's a certain sense of ownership that the fans have over you....The thing is, it's all good. You just have to get used to it. If somebody comes up to you while you're eating dinner or something, it's kind of like, 'Well, I asked for it.' It's much better than the alternative-nobody caring and nobody buying your music. The point is to try to just realize that these people are really excited, and that's a good thing. You want them to be that way.
I'm just looking for good work. I just really love acting, and I'd like to jump on something that's really exciting for me.
You try to go with something that's familiar to people and that way they can jump on board with what you're trying to do basically. I only mimic people that really have like interesting voices because it's really hard to mimic like someone who just talks regularly like me like there's nothing fun about that.
I knew that the only way to get noticed would be by doing something that was not expected of me. I was sure I wouldn't get noticed if I continued to play the heroine in films like 'Chashme Baddoor.'
I'm just a man. I think people are reacting to something else when they see me. They're not reacting to me, Eddie Murphy. They don't even know me. It's just luck and the God in me they're reacting to.
The solo album is really my way of branching out and doing my own thing. I'm mostly known for playing other people's music, so this is a way to just do something that is purely from my heart and my creativity. So it's really exciting.
I was not really worried about what people thought of me or how offensive my jokes were. I was just kind of saying whatever I wanted, and that gave me the reputation of being this crazy, loose cannon, you know, psycho guy. It still kind haunts me to this day. Like, 'Oh, Shane Dawson - that guy's nuts.'
I never want to feel complacent, and I had started to, a little bit. I had started to feel like "I have this thing I can do, it's worked a few times," but not only does that get boring, but you feel stagnant and unproductive. So I was feeling a lack of creativity and motivation, so I started making a more conscious choice to grow personally. It wasn't even an image-conscious thing, like, "I don't want people to think this way about me." It was really just a way to keep myself energized and feel excited about this thing I love doing. Like I went to couples therapy or something.
The way people are responding to [Moonlight movie] is something we never anticipated. We knew it was good but it is so diverse. The way people are reacting shows me that everyone sees themselves in it. That is groundbreaking. Similarly people come up some older people that it is not their story but are just crying in our arms after a screening. They know what it was like to be bullied or struggled with their own identity trying to figure out who they are. It has really caught people's imaginations.
Here is this ability to explore ideas, but with minute changes, and then look at the results. Often you get so excited about what you're doing that you think, "Oh, wow, this is just great." And you look at it a week later and you realize you'd been excited by the act of creation, but what you've created is not really exciting when you look at it in cold blood. And so that, to me, is a valuable lesson also.
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