A Quote by Sue Grafton

My father taught me to love detective fiction writers such as Raymond Chandler. When I decided to have a hard-boiled detective series I did a lot of studying before I wrote the first book. I learned police procedure, the California criminal law, and many areas outside my expertise.
I definitely have an affection for detective fiction, and when I first read Dashiell Hammett's 'The Maltese Falcon,' that book and its author made an enormous impression on me as a reader and a writer, and led me to other hard-boiled American writers like Raymond Chandler and Ross McDonald, among many.
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
While I was writing poems, I would often divert myself by reading detective novels, I liked them. And there was a period when I read many of them. I absorbed the form, and I liked it, it was a good one, mostly the hard-boiled school, you know, Chandler, Hammett, and their heirs. That was the direction that interested me most.
But the first published thing I did was a detective story, detective novel, and I did that on my own.
I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.
I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories.
These detective series on TV always end at precisely the right moment-after the criminal is arrested and before the court turns him loose.
My literary heroes all wrote about L.A.: Joseph Wambaugh, Ross Macdonald, and Raymond Chandler were the three writers that made me want to be a writer.
It's no secret - I love detective fiction. One of the reasons I love being in London is because I like to watch all the shows on TV. I watch them all. I like 'Detective Frost.'
I've developed this love of trashy Russian literature. There's a women's detective series that I was obsessed with for a while, written by Aleksandra Marinina, the former chief of police.
I read a lot of science fiction, but I also mixed it up with a lot of other genres: crime, literary fiction, as well as nonfiction. Author-wise, I'm a fan of Stephen King, Lauren Beukes, Robert McCammon, Raymond Chandler, Greg Rucka, Ed Brubaker and Gail Simone, among many others.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
I've always been fascinated by the brain. I wrote a lot about brain-tech in my first non-fiction book, 'More Than Human.' So when I decided to write science fiction, that was the technology I gravitated towards.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
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