A Quote by Sue Mengers

As an agent, I functioned like a guy. But the fact that I was a woman affected everything. — © Sue Mengers
As an agent, I functioned like a guy. But the fact that I was a woman affected everything.
He often wondered whether it were possible to be more possessed by desire for any other woman. The fact was that they functioned well together, and they had a connection as addictive as heroin.
I'm a single guy now and can do what I like. As my agent said, so long as it's not a live man or a dead woman, I'll be fine. And that, hand on heart, is unlikely to happen.
Just because I’m telling a story about a woman losing faith is not my rebellion against what I grew up in. If anything, it really affected the way I approached the story, and in fact, approach everything. I don’t judge my characters.
When 9/11 happened, it affected everything. It affected me. I'm an American, and I'm like, 'Oh my God, this is evil. This is terrible.'
'Ted Lasso' has affected all of us - affected the cast, affected the crew, affected the writers. You can't really make a show like this without being accountable, and looking at your own behavior.
There was an agent who wanted to book me for Glee. He lied and said I could sing. He was like, "If you need a guy in a wheelchair who has a great voice, I've got your guy!" I was like, "What are you talking about?" .
I was surprised that my wife thought it was a good idea, then again with my agent, another woman, then my editor, another woman - in spite of the fact that all three of them reacted positively I still have this fear.
I feel like, in a lot of shows where the woman is in charge, the woman is this ball buster and the guy is sort of weak and spineless. And that's never been my experience in a relationship. I think it's much more interesting that the guy is the boss. And there are stakes.
It's that kind of choice of a woman - to go with the nice guy or the nasty guy. And I think that all women get to make that choice and they always go for the suave, nasty guy. It's a fact of life.
As I got older, I'd say probably when I got to, like, seventh or eighth grade, I was living in Atlanta, Georgia at the time, and I went for an open call for an agent, a local agent out there, a woman named Joy Purvis, and she ended up picking me up.
I want to be a free agent. I think everybody in the NBA dreams to be a free agent at least one time in their career. It's like you have an evaluation period. It's like if I'm in the gym and I have all the coaches, all the owners, all the GMs come into the gym and just evaluate everything I do. So yes, I want that experience.
I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I'm gone which would not have happened if I had not come.
If you just look at the fact that a woman was central in twittering the Cairo revolution, and women were central to the Tunisian uprising. Women are at the center of everything right now and moving everything forward. And I do think in the next year or two, we are going to see such a woman spring, such a rising.
I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.
'Hereditary' is unabashedly a horror film. In a lot of ways, it's in dialogue with other horror films. But I do know that it was important for me that the film functioned first as a family drama. I know that I'm never affected by anything if I'm not invested in the people to whom the genre things are happening.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
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