A Quote by Sue Miller
My writing life is always a bit disorganized. It's hard for me to get going, but sometimes, once I begin, I go like the wind.
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There's a lot of effort expended once you begin to completely trash your life. Sometimes, writing feels like this to me.
I like pubs too, but it's hard for me to go and get proper bladdered in the way I used to. I don't want to moan about being recognised but I do get a bit of grief sometimes.
Weirdly, I was still trying to be the older brother, and trying to get him [Tom Berninger] to try to be more like me a little bit. Or not be more like me but... I was frustrated that he sometimes let things stop him in his life, and he let the wind get knocked out of his sails a few times.
Sometimes, you're going to have to work hard, sometimes extra hard, and sometimes you still won't get that recognition. That's life. That's the way it is. But if you keep working, eventually you'll get the prize you're seeking.
It's a little bit like talking about the life of writing. The life of writing may be about many things, but it always begins with the writer. With the kernel of an idea, or a character, or an idea or a theme, or even an outcome. But for documentary photographers, photographs begin at that intersection of the real world and the imaginative inner world.
Curiously, the balance seems to come when writing is woven into every aspect of my life, like eating or exercising - one flows constantly into the next: I'll wake up and have coffee, read the news, then write a letter or two (always in longhand), then go teach, and after teaching write a bit in a journal - dreams, what I had for breakfast and lunch and why I had it, what's on the iPod, sexual habits, etc. - then read a bit, then work on a real bit of writing...you get the idea.
When I don't feel like working out, lifting weights or doing serious cardio, the best thing for me to do is just go on the treadmill and walk. I walk and listen to music and 10 minutes will go by, then 15, and then I'll speed up a bit. Once my blood really starts flowing, I'll get a second wind and then I want to work out.
Anyone who buys a ticket can just go in there, and I don't like everyone, so I always see concerts as like, I'm going to get punched, I'm going to get elbowed, I'm going to get stepped on, get spilled on, someone's going to hit me with their body odor or something.
Sometimes there are really severe conditions like super, super wind or crazy wind or something like that that you don't really get to practice for. But it's kind of you just show up and whatever you get in warm-ups, you kind of adjust to it and play as you go.
Especially in writing love stories, there's always the assumption that once you've said 'I do,' once you get to the point where you're married, well, the hard part is over.
Like going to my favorite restaurant, it can sometimes get hard. I just can't go to the mall.
I edit as I go. Especially when I go to commit it to paper. I prefer a typewriter even to a computer. I don't like it. There's no noise on the computer. I like a typewriter because I am such a slow typist. I edit as I am committing it to paper. I like to see the words before me and I go, "Yeah, that's it." They appear before me and they fit. I don't usually take large parts out. If I get stuck early in a song, I take it as a sign that I might be writing the chorus and don't know it. Sometimes,you gotta step back a little bit and take a look at what you're doing.
When I do get in the game, just getting me going. How do you get me going? If that's running plays or things where I can impact and get going. But once I'm in the flow, I'm in the flow. It's hard to get me out of that.
It used to be with chocolate. I would put chocolate in my studio and say, "You know, Nat, there's this chocolate you can have if you get over there." And usually if I got over there, I would start writing. Sometimes I need get out of the house and go to a café and write. Sometimes I'll write with other friends to get myself going. And sometimes I just say "Ok, Nat, enough. Go one hour. Keep your hand going." I'll do whatever it takes.
Sometimes I'll have an end in mind, but it's always false, always corny, just a dumb idea anyone could have, sitting on a barstool. An abstract thesis with no real life inside it. And then I start writing and the writing itself confounds me, taking away the comfort of knowing the end in advance. How is that even possible? Doesn't the conclusion come at the end? How can you begin with one - that seems odd, right?
We didn't know how it was going to go but it was always going to be hard for me to go straight from Melbourne into Manchester City's first team. It was always the plan for me to go on loan.
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