A Quote by Sue Miller
Everything I've written I see in a very precise way and I hear in my inner ear.
Related Quotes
When I see architecture that moves me, I hear music in my inner ear
You can't read to yourself. It's your inner ear that hears a poem. If you hear a poet read his own work, it becomes very exciting. The melody is a great part of it.
I learned quickly in the NBA that you keep one eye open at all times and one ear closed. You can't react to everything you hear or see.
I have a condition called Menieres disease which is a problem with fluid retention in the inner ear. It has four symptoms: ringing in the ear, pressure in the ear, fluctuating hearing loss, and attacks of vertigo.
My brother was listening to his transistor radio. He kept switching the earpiece from one ear to the other, which I thought was his idea of a joke. 'You can't do that,' I said. 'You can only hear out of one ear.' 'No, I can hear out of both,' he answered. And that was how I discovered I was deaf in my right ear.
The ear participates, and helps arrange marriages; the eye has already made love with what it sees. The eye knows pleasure, delights in the body's shape: the ear hears words that talk about all this. When hearing takes place, character areas change; but when you see, inner areas change. If all you know about fire is what you have heard see if the fire will agree to cook you! Certain energies come only when you burn. If you long for belief, sit down in the fire! When the ear receives subtly; it turns into an eye. But if words do not reach the ear in the chest, nothing happens.
'Crimson' is written in a very particular style, and it's very precise in the way it graduates into a gothic romance. The souls that will connect with it will connect deeply.
We all have an inner teacher, an inner guide, an inner voice that speaks very clearly but usually not very loudly. That information can be drowned out by the chatter of the mind and the pressure of day-to-day events. But if we quiet down the mind, we can begin to hear what we're not paying attention to. We can find out what's right for us.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
Even though poetry was written for the 'minds ear' as well as the physical ear, the minds ear can be trained only by the other ... which comes back to reading poetry aloud.
'Black Hole Sun' was written in a car when I was driving home from the studio one night. Pretty much everything that you hear was written in my head.
I'm the lightest sleeper. I can hear a pin drop. It's been worse since I was ill. I think your inner ear is always half open, listening out for the faintest danger sign.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
One Zen master said, The whole universe is my true personality. This is a very wonderful saying... If you want to see what you truly are, open the window, and everything you see is in fact the expression of your inner reality. Can you embrace all of it?
Every year I hear people complain that the quality of screenplays and movies is declining. In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
And with listening, too, it seems to me, it is not the ear that hears, it is not the physical organ that performs the act of inner receptivity. It is the total person who hears. Sometimes the skin seems to be the best listener, as it prickles and thrills, say to a sound or a silence; or the fantasy, the imagination: how it bursts into inner pictures as it listens and then responds by pressing its language, its forms, into the listening clay. To be open to what we hear, to be open in what we say. .
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