A Quote by Sue Miller

I write all over the house. Because I write in longhand, I can go anywhere I want... I have some notebooks here and there, and then I type it in and pull it out, and I do the revisions all over the place.
I've now learned how to do it, I can write anywhere. I'm the type of person that will get a random idea and then I'll have to write it down and then continue on it. It can be anywhere. It doesn't have to be a set place.
I type in one place, but I write all over the house.
I don't write the same book over and over - I think if I did that, I would stop writing. I couldn't write a series with the same character, and I couldn't write a romance novel over and over again that takes place at a different beach every year. That's not who I am.
I don't have any particular rituals, I sometimes like to write in longhand when I'm searching for ideas but I do the vast majority by typing, I can't always keep up with my thoughts longhand. I'm not a coffee shop writer because I feel obliged to order more coffee and then I end up over-caffeinated.
I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.
I have notebooks all over the place. I write little stories for my cabaret.
I always write my first draft in longhand, in lined notebooks. I move around the house, sitting where I like, and watch the words spool out in front of me, actually taking a lot of pleasure in the way they look in my strange handwriting on the page.
I write in my house, at my desk, where I have Christmas lights strung over it to try and convince me that I'm having a good time. I can't really write anywhere else.
I am somebody who usually writes out the rough draft in longhand. Then I type it into the computer, and that is where I do my editing. I find that if I write it on the computer, I go too quick. So I like getting that first draft out and then typing it in; you are less self-conscious about it.
If you want to be a serious writer, then you have to write what there is to write about. If you're going to pull your punches and second-guess yourself and not do things because you're worried, then don't write. Stay home and do something else.
Some things are hard to write about. After something happens to you, you go to write it down, and either you over dramatize it, or underplay it, exaggerate the wrong parts or ignore the important ones. At any rate, you never write it quite the way you want to.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
A typical workday for me is getting up at about 5:00, 5:15 in the morning, getting some coffee or tea as quickly as possible, and then getting to my desk. And ideally, I'll start writing around 5:30, 5:45, and I'll write for three, four hours, and then I'll take a break, and read over what I write. Maybe about lunchtime, I'll go exercise or get out into the day. Then I'll either read over what I wrote the day before and quit work around 3:00 or 4:00 in the afternoon and spend some time with my kids.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
I write in longhand. I am accustomed to that proximity, that feel of writing. Then I sit down and type.
I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
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