A Quote by Sue Monk Kidd

In a weird way I must have loved my little collection of hurts and wounds. They provided me with some real nice sympathy, with the feeling I was exceptional... What a special case I was.
There was no special event that made me decide. I had collected some photos and the idea was in the back of my mind for a long time. It was growing and growing, so finally I said, 'I must paint this.' I come from East Germany and am not a Marxist, so of course at the time I had no sympathy for the ideas, or for the ideology that these people represented. I couldn't understand, but I was still impressed. Like everyone, I was touched. It was an exceptional moment for Germany.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
A wound needs air in order to heal. We must talk about and expose those things which have hurt or harmed us in some way. Our wounds need nurturing care in order to heal. If we are to nurture and heal, we must admit that the wounds exist. We must carefully do what is necessary to help ourselves feel better.
I have always considered that my collection must have an international flair so it can be at the service of the European public. Or to people in Asia. Yes, there are tiny little alterations I notice in the proportions of the outfits, but fundamentally, the collection is that way.
When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.
I carry a little collection of jewelry I love with me, in case I need diamonds.
Movies are weird; it's like trying to make a painting with one hundred people. It's a weird world, but every job is weird; it's always a little bit hard, crazy and fun, a nice combination.
I go back to things all the time. It's really nice, too, like when I'm going through some kind of a writer's block, and I'm feeling uninspired, I go to some of my oldest songs from over the years and sift through them, and one thing that's very nice is to see how I've grown up a little bit. A little bit.
I would prefer to battle the 'I'm special' feeling not by the thought, 'I'm no more special than anyone else,' by by the feeling, 'Everyone is as special as me.'
The actual, original 'Teenage Mutant Ninja Turtles,' I have vague memories of because I was pretty small, but I loved, loved, loved it. I have only those weird, visceral little-kid memories: I remember the extreme flat, two dimensional green that was their skin or the weird pizza with no sauce - it was just like yellow, drippy cheese.
Is this the real life? Is this just fantasy? Caught in a landslide, No escape from reality. Open your eyes, Look up to the skies and see, I'm just a poor boy, I need no sympathy, Because I'm easy come, easy go, Little high, little low, Any way the wind blows doesn't really matter to me, to me.
Open your eyes and look for some man, or some work for the sake of men, which needs a little time, a little friendship, a little sympathy, a little sociability, a little human toil....It is needed in every nook and corner. Therefore search and see if there is not some place where you may invest your humanity.
I loved feeling special. I hated feeling special.
Authors are not a special case, deserving of more sympathy than many other groups. We are a particular case of a general degradation of the quality of life, and we are not going to stop pointing it out, because we speak for many other groups as well.
Since we have emphasized that analysis will lead to a positive conclusion only in the exceptional case, it follows that many securities must be examined before one is found that has real possibilities for the analyst. By what practical means does he proceed to make his discoveries? Mainly by hard and systematic work.
There's no real template to follow these days for what a band should and shouldn't be - bands are just becoming these weird little Internet avatars that you either follow or download or interact with in some removed way.
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