A Quote by Sue Monk Kidd
This is the autumn of wonders, yet every day, every single day, I go back to that burned afternoon in August when T. Ray left. I go back to that one moment when I stood in the driveway with small rocks and clumps of dirt around my feet and looked back at the porch. And there they were. All these mothers. I have more mothers than any eight girls off the street. They are the moons shining over me.
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Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life.
I have just as much right to stay in America - in fact, the black people have contributed more to America than any other race, because our kids have fought here for what was called "democracy"; our mothers and fathers were sold and bought here for a price. So all I can say when they say "go back to Africa," I say "when you send the Chinese back to China, the Italians back to Italy, etc., and you get on that Mayflower from whence you came, and give the Indians their land back, who really would be here at home?"
If I am recalling an incident very vividly I go back to the instant of its occurrence; I become absent minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of time any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should we not hope that ultimately he may be able to stop or accelerate his drift along the Time Dimension; or even to turn about and travel the other way?
It's important for me to go back into the ghetto, where I'm from. I still get my oxygen from there. I don't live in the ghetto but every time I go back, I'm seeing the same things that I lived. That's one of the things I mean when I say, "My feet back onto the ground."
I carry around a notebook that is equal parts day planner and journal. Every morning, I check to see what the agenda for the day is, and if there isn't a plan, I make one. I strive to fill the rest of the page with miscellaneous thoughts and ideas and go back through and fill sparse pages as well. If I start skipping days, I know I'm off course and need to take a step back and ground my life.
There is one day that is ours. There is one day when all we Americans who are not self-made go back to the old home to eat saleratus biscuits and marvel how much nearer to the porch the old pump looks than it used to. Thanksgiving Day is the one day that is purely American.
Generations of women have sacrificed their lives to become their mothers. But we do not have that luxury any more. The world has changed too much to let us have the lives our mothers had. And we can no longer afford the guilt we feel at not being our mothers. We cannot afford any guilt that pulls us back to the past. We have to grow up, whether we want to or not. We have to stop blaming men and mothers and seize every second of our lives with passion. We can no longer afford to waste our creativity. We cannot afford spiritual laziness.
Every day I'm learning stuff. I started back in August with a DJ friend and since then I've been practicing and taking lessons every day.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
One day you're cut off, at the very start you're cut off and can't go back, the language you learn and the whole business of walking and all the rest is for the sake of the single thought, how to get back again.
Every day, I wish there was a moment when I could go back to my house and my land.
When my sitcom 'Miranda' first became successful, I was so in the thick of working and I was so stressed that I didn't really enjoy the moment. You suddenly look back and go, 'Gosh, you've just got to enjoy every day.' And now I wake up and literally pinch myself every day.
I go up to San Francisco on holidays and spend time with my family there, but whenever I go to Japan, I enjoy every moment. I try to go back there every year or so. It's a phenomenal place, and I absolutely love it. It's not my second home; it is my home. Whenever I go back, I feel very connected with Japan.
We need money to scale up the services that bring medicine to mothers. The United States government's doing that. There's a global fund that's providing money. mothers2mothers provides for mothers who come in who don't have education, who don't have support. mothers2mothers employs mothers with HIV, mothers who were patients recently in the very same facilities. We take those mothers who were patients who've had their babies, we bring them back, we train them, we pay them, to be health care professionals.
I'm not a good father and they're not children any more; the eldest is in his fifties. My relationship with their mothers broke down and, because of what the law was, they went with their mothers and were imbued with their mothers' morality in life and they were not my people any more.
The best way is to read it all every day from the start, correcting as you go along, then go on from where you stopped the day before. When it gets so long that you can't do this every day read back two or three chapters each day; then each week read it all from the start. That's how you make it all of one piece.
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