A Quote by Sue Monk Kidd

It was the first time I'd ever said the words to another person, and the sound of them broke open my heart. — © Sue Monk Kidd
It was the first time I'd ever said the words to another person, and the sound of them broke open my heart.
Words are such powerful things. We can rip somebody apart with them, we can write words down that can forever hurt another person. We can use them to tell stories and lies. We can misquote them and change what other people said to make ourselves look good.
The first words Rebecca Lobo ever spoke to me when we met in a Manhattan bar in 2001 were, 'Aren't you the guy who just mocked women's basketball in 'Sports Illustrated'?' I blushed, broke out in a flop sweat and said, 'Yes.'
Bran was the only person I knew who could use words like "blackguard" and make them sound like swear words-but then he could have said "bunny rabbit" in that tone of voice and weaken my spine with the same shiver of fear.
But a book suggests conversation: one person is speaking to another, and audible sound is, or should be, natural to that exchange. So I read aloud with myself as the audience, and gave voice to another's words.
I have worked with another first-time director who was not that open, and it was probably one of the worst experiences I ever had, so my antennas are really out.
What matters is deciding in your heart to accept another person completely. When you do that, it is always the first time and the last.
At times , he didn't understand the meaning of the Koran's words . But he said he liked the enhancing sounds the arabic words made as they rolled off his tongue . He said they comforted him , eased his heart . "They'll comfort you too . Mrariam jo , " he said . "You can summon then in your time of your need , and they won't fail you . God's words will never betray you , my girl . (pg.17)
My Heart I'm not going to cry all the time nor shall I laugh all the time, I don't prefer one "strain" to another. I'd have the immediacy of a bad movie, not just a sleeper, but also the big, overproduced first-run kind. I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera, often. I want my feet to be bare, I want my face to be shaven, and my heart--you can't plan on the heart, but the better part of it, my poetry, is open.
You know, another jazz drummer, Ed Thigpen, who played with Oscar Peterson way back - it was the first time I ever heard rivets in a cymbal. And then I heard that Chico Hamilton had them too, and I went, 'Oh, that's it. I'm taking that for my sound.' And it worked well on 'Riders On The Storm,' so that's one thing.
When we try to describe one person to another …, what do we say? Not usually how or what that person ate, rarely what he wore, only occasionally how he managed his job—no, what we tell is what he said and, if we are good mimics, how he said it. We apparently consider a person's spoken words the true essence of his being.
And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
But come, hear my words, for truly learning causes the mind to grow. For as I said before in declaring the ends of my words: Twofold is the truth I shall speak; for at one time there grew to be the one alone out of many, and at another time it separated so that there were many out of the one; fire and water and earth and boundless height of air, and baneful Strife apart from these, balancing each of them, and Love among them, their equal in length and breadth.
That's the first time I've ever said those words out loud, and now I hear how strange they are. How many young men fear that there is a monster instead them? People are supposed to fear others, not themselves.
Poems and songs penned as an unstoppable outpouring of the heart take on a life of their own. They transcend the limits of nationality and time as they pass from person to person, from one heart to another.
As soon as they say I don't sound as good as my old stuff, I tell them, "I would never sound as good as I first sounded, because you guys didn't know who I was. Being that I'm in rotation, you guys are getting used to the sound, so now you expect another track and another track, but it never happens again, no matter how hard I try."
How a diamond comes into a knot of flame How a sound comes into a word, coloured By who pays what for speaking. Some words are open. Love is a word another kind of open — As a diamond comes into a knot of flame I am black because I come from the earth's inside. Take my word for jewel in your open light.
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