A Quote by Sue Monk Kidd

Novels attempt to render human experience; that's really all they are. They are meant to convey empathy for the character. — © Sue Monk Kidd
Novels attempt to render human experience; that's really all they are. They are meant to convey empathy for the character.
Novels–and memoirs–are perhaps the most comprehensive reports humans can deliver, of their private experiences, to other humans. In these terms there is only one kind of novel: a human attempt to transfer or convey some part or version of their world of noumenon to another’s world of noumenon.
I like reading novels because it provides insight into human behavior. I am really interested in feelings and think they are what define us as a species. When you really get it right in acting, it's an act of empathy. You feel less distant from others, and that is really exciting.
Plays can create empathy. If you put a Muslim character on stage, and make him a full character, you're making it possible for the audience to feel empathy, and a little empathy on both sides would help.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
The ability to get inside your character's head in a graphic novel is really fun and useful because one, you can really define the character's voice and two, it's a way easier way to convey what the character's thinking by actually laying out what he's thinking.
The empathy I found reading 'Heidi' and 'Little Women' is empathy we have as human beings that can feed all of our souls. We have our differences, but we're all so similar in our humanness. So those stories about young girls overcoming meant a lot to me and gave me hope.
Ulysses ... is a dogged attempt to cover the universe with mud, an inverted Victorianism, an attempt to make crossness and dirt succeed where sweetness and light failed, a simplification of the human character in the interests of Hell.
Religion is meant to teach us true spiritual human character. It is meant for self-transformation. It is meant to transform anxiety into peace, arrogance into humility, envy into compassion, to awaken the pure soul in man and his love for the Source, which is God.
I'd rather feel empathy for a character that's fictional, so it doesn't quite tie into personal experience as much.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
The emotional aspects of a wilderness experience might be compared to a religious experience. It is particularly valuable for those people whose unconscious associations of pain and discomfort in relationships to man render a deity in human form impossible. Christianity is unacceptable to some people because of the use of the human symbol, but some who can't accept Christ can gain a tremendous sense of peace from relating to uncontaminated areas.
I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.
Writing is akin to method acting. Before the writer can render a fully convincing world, he or she must inhabit that world, and every major character who lives there. I'm not suggesting that one always has to go this far. But I truly believe what makes the setting for my novels come alive is that I've lived there first.
My view is that comic books are meant to be long-form stories. They're meant to be novels.
Religion is an attempt, a noble attempt, to suggest in human terms more-than-human realities.
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