A Quote by Sue Perkins

'Bleak House' remains a great novel for me, and I love 'David Copperfield.' — © Sue Perkins
'Bleak House' remains a great novel for me, and I love 'David Copperfield.'
As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.
In America, they want you to accomplish these great feats, to pull off these David Copperfield-type stunts. You want me to be great, but you don't ever want me to say I'm great?
An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
I went to NYU completely with the idea I wanted to be the next David Copperfield.
Boy George has been charged with falsely imprisoning a man who'd gone to his apartment to pose for photographs. Going to Boy George's house to get your picture taken is like going to David Copperfield's island for a radio opportunity.
Yes, it looks bleak. But you are still alive now. You are alive with all the others, in this present moment. And because the truth is speaking in the work, it unlocks the heart. And there’s such a feeling and experience of adventure. It’s like a trumpet call to a great adventure. In all great adventures there comes a time when the little band of heroes feels totally outnumbered and bleak, like Frodo in Lord of the Rings or Pilgrim in Pilgrim’s Progress. You learn to say ‘It looks bleak. Big deal, it looks bleak.’
I hadn't read Dickens for a while and doing 'Bleak House' was great.
My goal was becoming the next David Copperfield. I learned how to be a performer by emulating him as a kid - his formula of just talking to people onstage, being free to improvise, being charming and witty with a crowd, together with great, beautiful magic.
With its vastly complicated plot and its immense cast of characters swirling around the case of Jarndyce vs. Jarndyce that has been grinding away in the Court of Chancery for decades, 'Bleak House' is, for many readers, Dickens's greatest novel.
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
As a science fiction and fantasy writer, I used to love writing bleak, grimdark futures full of bleak, grimdark people. But I've found that as the world around me darkens, all I really want to do is grasp for more light.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
A lot of the novels that I've really enjoyed in my life, whether it's Tolstoy's 'Cossacks,' or 'Sons and Lovers' or 'Jude the Obscure' or 'David Copperfield' or 'Herzog,' have an autobiographical spine.
To make [parents] happy, I went to Fordham University for three weeks, while at the same time running ads in Variety, "magician-actor David Copperfield."
While reading 'David Copperfield' in the middle of the night - probably because of the light, I had insomnia for the first time - I looked out of the window and thought, 'If this is what books can do, this is what I want to do.'
It's so funny, all the similarities that we have [with David Copperfield] of being obsessed young people and finding a way to be around the people doing what we want to do.
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