A Quote by Sue Perkins
Whatever the critics make of 'Maestro,' I hope they don't call it a reality show.
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Caravaggio was a tormented, defiant, bisexual, angry young man - a maestro who looked nothing like a maestro.
I listen to the summer symphony outside my window. Truthfully, it's not a symphony at all. There's no tune, no melody, only the same notes over and over. Chirps and tweets and trills and burples. It's as if the insect orchestra is forever tuning its instruments, forever waiting for the maestro to tap his baton and bring them to order. I, for one, hope the maestro never comes. I love the music mess of it.
It's easy to make a reality show that's sensational but it's more challenging to make a reality show that's got a lot of heart and integrity and still keeps you enthralled and makes you want to keep watching.
In America, they have this nauseating habit of calling the conductor 'maestro'. I always slightly gag when the cor anglais player goes, 'Maestro, can I discuss bar 19 with you?'
It's still word of mouth that is going to make or break a show, and while critics can't help a show, they can hurt it.
Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.
We're not trying to make a reality show at all. The show gets described sometimes as a reality show, sometimes as a prank show. I think it's neither. It's just about us, and it's just about us having a platform to be funny and do comedy, really.
I find that putting my make-up on and playing with different looks is really relaxing for me before the show. It kind of helps me make that transition from 'mommy' to 'performer,' or star or whatever you want to call it!
I always wanted to be in show business or whatever you want to call this crazy world, to be an actor or a movie star or whatever.
We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale".
Every call to worship is a call into the Real World.... I encounter such constant and widespread lying about reality each day and meet with such skilled and systematic distortion of the truth that I'm always in danger of losing my grip on reality. The reality, of course, is that God is sovereign and Christ is savior. The reality is that prayer is my mother tongue and the eucharist my basic food. The reality is that baptism, not Myers-Briggs, defines who I am.
I think the mistake that people make often times is you just lose touch of reality and you have to never be afraid to call someone's bullshit or call someone's bluff when something doesn't make sense.
The idea that you can make one speech or one movie, or express a thought or show the injustice of a particular time, you hope that it resonates, and you hope that resonance will last. You hope that it would create change.
The weird thing is that 'Maestro' has somehow improved my DJing. When you've been in this music as long as I've been, you can sometimes become jaded. And when I got back from 'Maestro,' I realised the music is being kept in time for me - all I have to do is to wrap as much dynamic around it as I can. DJs don't realise how lucky we are.
What I am trying to do is something different - an effect of reality, but what some fools call Impressionism, a term that is usually misapplied, especially by the critics who don't hesitate to apply it to Turner, the greatest creator of mysterious effects in the whole world of art.
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