A Quote by Sue Perkins
Performers only get to do their showing off because the public pay to see them. To deny your audience a photo, whatever the format, seems a little rude to me.
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You are always living a reflection of whatever you are outputting. And so, if you get into a little pocket where a lot of people are being rude, it's probably because you are being rude — or because you have been aware of people being rude. Nothing ever happens to you that is not part of your vibration!
If your intentions are already bad, and then you still make giant mistakes, it seems like things just get worse. I get little joy seeing this, because what I don't see is the public saying, "Wow, those guys are really bad, maybe we should re-evaluate everything." I don't see that response with the scandals, I don't see it with the indictments, I don't see it after Katrina, I don't see the public going, "Wow, let's really re-examine the entire direction this country is going."
They mustn't know my despair, I can't let them see the wounds which they have caused, I couldn't bear their sympathy and their kind-hearted jokes, it would only make me want to scream all the more. If I talk, everyone thinks I'm showing off; when I'm silent they think I'm ridiculous; rude if I answer, sly if I get a good idea, lazy if I'm tired, selfish if I eat a mouthful more than I should, stupid, cowardly, crafty, etc. etc.
If you can help it, don't be rude to people. When you're rude about someone and the audience laugh you can't deny that it's a bullying laugh.
Unfortunately, because the theater is always a poor relation when it comes to making the nut, it's not easy to get the audience in to see a play, unless you have a name that is recognizable, that the audience wants to see and is prepared to pay the $125 to see.
The audience plays a huge part in how a piece will actually form. They really allow the performers to walk a tightrope in a way that never seems to happen in the privacy of your own four walls. I'm listening to the audience, and they're listening to me.
Everybody sees me as this sullen and insecure little thing. Those are just the sides of me that I feel it's necessary to show because no one else seems to be showing them.
Edward can do everything, right?" I explained. Jasper snickered and Esme gave Edward a reproving look. "I hope you haven't been showing off-it's rude," she scolded. "Just a bit," he laughed freely. "He's been too modest actually," I corrected. "Well, play for her," Esme encouraged. "You just said showing off was rude," he objected. "There are exceptions to every rule," she replied.
It's a sick thing, right: people are afraid of public speaking. I do public speaking, except my public speaking involves the audience only having one type of emotion and one type of reaction. If they have anything other than laughter, it's a failure. That's an absurd thing for a human to try to seek. The main thing to realize is that whatever I say, it's my truth and I believe in it, and if I don't get a laugh off that, then it's not working.
Any image I have, it's just what I do, but it comes off as being very pretentious. When you're a bit in the public astigmatism, anything you do seems like you did it so somebody would see you do it, like showing up at the right parties.
If you get to bring a little movie on the festival circuit, it's a nice experience because you get to see it with an audience. People who go to festivals to watch films are usually a little more eager to enjoy them. It's exciting because it's like you're going to the film's opening night at every festival.
I think it's been a little difficult at times for the audience, because they've told me they see me as a family member. So to see your little sister sing about sex... I think they are pretty used to it now.
It is not rude to turn off your telephone by switching it on to an answering machine, which is cheaper and less disruptive than ripping it out of the wall. Those who are offended because they cannot always get through when they seek, at their own convenience, to barge in on people are suffering from a rude expectation.
The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.
Because many people deny the Palestinian struggle. They deny them everything. They deny them humanity, they deny them the right to be on the land they were born in. They deny them the right to return to the homes that were stolen from them, to build Israel.
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