A Quote by Sue Tompkins
Being on the same level as everybody is really important to me. I'm trying to do really basic stuff like communicate, convey, talk, see, and invite joining and intimacy. What I'm trying to do is attach. It's not about being separate.
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If you're trying to deal with being a marginalized person and trying to confront a larger population that isn't the same as you, you can be friendly about it, and invite everybody in, or you can be angry about it and be hostile and attack the systems that you want to destabilize.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
Trying to talk somebody out of the stuff that they enjoy in life is like trying to talk them out of their faith or their sexuality. It’s a pointless exercise that can never be anything but acrimonious and will only highlight unnecessary amounts of difference about things that ultimately don’t really matter. Buy the steak you like, worship the god you love, neck with the people that you treasure and don’t worry about the numbers.
Happiness is the death of the ego. If you want to remain a separate entity from existence as almost everybody is trying to do, you will be afraid of being blissful, cheerful. You will feel guilty in being blissful. You will feel suicidal because you are committing suicide on the psychological level, on the level of the ego.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
It's just really about trying to do whatever it is I do at a level of excellence. That's really all I'm trying to do while I'm here.
You'd be surprised how quickly our identities evaporate when we were able to connect with people on a very personal level because we're all really trying to chase the same dream, we are looking for the same thing, we're raising our kids, we're just trying to get along. And, right now we are able to show people, hey, I'm just a human being like you are, I've got to take care of my kids and my family just like you, how can I help you?
He's trying to do info-tainment. He doesn't really want to talk about trans issues, he wants to sensationalize my life and not really talk about the work that I do and what the purpose of me writing this book was about.
I've learnt that I've had the best results from just trying to be me, trying to make a movie or TV show I want to see or write a script I want to read, and that's really all I can offer - being authentic.
Success isn't about reaching your goals; it's about striving for things, like the joy of trying to raise a family, trying to be a successful singer, trying to write good songs, trying to be a better person. It's that old thing about life being about the journey, not the destination.
As far as social media and all that, I understand connecting with fans on a different level, but I don't feel the need to open myself up to the opinion of everybody in the world with a phone or computer. I just don't get that, being connected to everybody on such a superficial level like that. It's not really for me.
We're here, there, not here, not there, swirling like specks of dust, claiming for ourselves the rights of the universe. Being important, being nothing, being caught in lives of our own making that we never wanted. Breaking out, trying again, wondering why the past comes with us, wondering how to talk about the past at all.
Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story - my favorite records have a narrative feel.
You can't sing about the same things as you did when you were 20; it would be ridiculous to sing about, I don't know, being in the quad. You can't really write about mortgage payments or stuff like that... but you can talk about 'let's make the world a better place.'
In documentary films, being able to be a storytelling and embrace film as an art form - while being very clearly connected in trying to help make the world a better place - is really important to me.
A lot of the time in my recurring dreams, before I was diagnosed, iconic people would either be good or evil figures. I remember dreaming really basic stuff like trying to navigate the London underground, but then Paul Newman would be the only one who would direct me to the right trains. And I'm trying to remember who would direct me to the wrong ones.
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