A Quote by Sue Townsend

Every time I start a new piece of work, I spend a long while under the duvet thinking I can't do it. — © Sue Townsend
Every time I start a new piece of work, I spend a long while under the duvet thinking I can't do it.
Lack of confidence - every time I start a new piece of work, it seems I have to spend a long while under the duvet thinking I can't do it.
Every new party, every new bunch of people, and I start thinking that maybe this is my chance.That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
I currently spend a lot of time thinking about orchestration and every detail of a piece.
Every time I start a new work, I try to be different and to start with a new perspective, so I search for a new idea, something which gives me a new way to access my creativity.
I do hope some of my work has a long lifetime. A piece that works out well this year may work out very well in twenty years' time as well, but I'm very much thinking about what's the right piece now, at this moment.
I'm not the "not-working" type. I derive pleasure from my work. Work gives me relaxation too. Every moment I am thinking of something new: making a new plan, new ways to work. In the same way that a scientist draws pleasure from long hours in the laboratory, I draw pleasure in governance, in doing new things and bringing people together. That pleasure is sufficient for me.
Start trying to work out who deserves what, and before long you'll spend the rest of your days weeping for each and every person in the world.
When you work with people for a long time, you start to sense what they are thinking without having to communicate explicitly.
I love the time I spend with you. You make my living worth-while. Why dint I meet you before. I wish I could start my life From the beginning with you because the time I spend with you is never enough. I need you more everyday.
My justification is that most people my age spend a lot of time thinking about what they're going to do for the next five or ten years. The time they spend thinking about their life, I just spend drinking.
You don't get rich, you don't often have much fun. Sometimes you get beaten up or shot at or tossed into the jail house. Once in a long while you get dead. Every other month you decide to give it up and find some sensible occupation while you can still walk without shaking your head. Then the door buzzer rings and you open the inner door to the waiting room and there stands a new face with a new problem, a new load of grief, and a small piece of money.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
I guess if I was made responsible for every single line of dialogue in a game and every single piece of textual visual detail, every sign or piece of graffiti, then yes, I think that would be comparable to the time and effort required to write a very long novel, indeed.
There is no such thing as a long piece of work, except one that you dare not start.
I've always considered my work one piece and I consider that my work won't be finished until I am dead and buried and I hope that's a long, long time.
When you start a new job, a lot of times everybody's been there a long time and so you think, 'Oh, it's going to take me a while to make friends and do all that.'
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