A Quote by Sufjan Stevens
There is nothing more incredible and moving and appealing than good music, and it cannot always be reduced to a story, to exposition. It's so much more abstract and brilliant.
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You can keep counting forever. The answer is infinity. But, quite frankly, I don't think I ever liked it. I always found something repulsive about it. I prefer finite mathematics much more than infinite mathematics. I think that it is much more natural, much more appealing and the theory is much more beautiful. It is very concrete. It is something that you can touch and something you can feel and something to relate to. Infinity mathematics, to me, is something that is meaningless, because it is abstract nonsense.
I think there are a lot of similarities between writing and music. Music is much more direct and much more emotional and that's the level I want to be at when I'm writing. Writing is much more intellectual and indirect and abstract, in a way.
Authoritarians have always been here. But the features of a given moment make that way of thinking more or less appealing. Germany in the 1920s, when people are starving, suddenly makes 'populist' answers and scapegoating different groups as the source of the problem much more appealing.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
I cannot write a novel because I cannot work in continuity. My works are more abstract, may be, I will try short story writing.
What I have always wanted for myself is much more primitive. It is probably nothing more than the affection of the people with whom I am in contact, and their good opinion of me.
Is that what relationships become? A reduced version of the hurt, nothing else let in. It was more than that. I know it was more than that.
I've always listened to music while I write, but none of my work has been so directly impacted by a song as my new novel, 'So Cold the River,' for which the brilliant strings piece 'Short Trip Home,' composed by Edgar Meyer and featuring the incredible Joshua Bell on violin, inspired much of the story.
No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.
More than anything, being an English major made me more appreciative of authors and what an incredible feat it is to just finish a novel, let alone a really brilliant one.
[Katharine Hepburn] was much stronger, much more opinionated than I am or ever was, and it was considered attractive on her. But not on me. I don't know. Maybe her Bryn Mawr accent was more appealing than mine.
Walt Disney was a story man, and he knew that we were thinking story. That's why he dug us so much and he hired us to work for him. We always thought about the story. That was more important than any words and any music. That's all it's about.
You don't always want to be using the music in a way to express ideas inherent that are on the screen. You might want to work more around the fringes of the story, and work more with the subtext, and add more depth to the story through the use of music.
I think sometimes actors are drawn to good television because you have more time to sell it, you have more time to shape a character, and to tell a story, and that's really appealing.
The music should highlight nuances within a collection. I always discard my initial music selection, but it's important to get those more obvious ideas on the table, that way you can move on to something more abstract, yet still relevant.
I have always been resistant to doctrine, and any spirituality I had experienced thus far in my life had been much more abstract and not aligned with any recognized religion. For me, the most trustworthy vehicle for spirituality had always proven to be music. It cannot be manipulated, or politicized, and when it is, that becomes immediately obvious.
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