A Quote by Sufjan Stevens
I find in music there's a space and a language I can use to express things in ways I can't describe conversationally.
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When people grow up in atmospheres of violence or atmospheres of poverty, they don't normally use hi-falutin' language to describe those things. They would describe some brutal event the same way we would describe getting a taxi or missing the bus.
If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.
Language and poetry are endlessly fascinating. The most brilliant work can be so sparse yet so full of meaning. That's what I'm looking for in a song: imagery to describe things in ways that are perfectly concise. I'm constantly trying to find one hard, crystal thing.
Religion is never going to go away, and anyone who thinks it will doesn't understand what religion is. It is a language to describe the experience of human nature, so for as long as people struggle to describe what it means to be alive, it will be a ready-made language to express those feelings.
As vocabulary is reduced , so are the number of feelings you can express, the number of events you can describe, the number of the things you can identify! Not only understanding is limited, but also experience. Man grows by language. Whenever he limits language he retrogresses!
In your relationship with God there are also times when you want to say things and you're trying to find the words to express them. In a human relationship sometimes you struggle for words and you've got to do it, but in a relationship with God he can actually give you a language which enables you to communicate. In a relationship with God you feel things and you want to express them and you're not limited by human language. You can express what you really feel in your heart, through a language that he gives you, and that helps you to communicate with God.
I think you have to find your own language. You find your footing with it, and you start to express it in certain ways.
Describe your sorrows and desires, passing thoughts and the belief in some sort of beauty-describe all these with loving, quiet, humble sincerity, and use, to express yourself, the things in your environment, the images from your dreams, and the objects of your memory.
The point here is what makes human beings different from other creatures is our ability to use language. We can use words to express ourselves in very eloquent and complex ways. We grow up telling and listening to stories. That's what turns us into the people we are.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
Singing in second language makes you brave in a way you're not aware of. You say things in very blunt ways or direct ways. It sets your mind free because you don't have a history with the language. You have to use the most direct way of communication, which is saying what you want to say in the way you can.
Human language can but imperfectly describe God's ways. I am sensible of the fact that they are indescribable and inscrutable. But if mortal man will dare to describe them, he has no better medium than his own inarticulate speech.
Those who use language and have nothing but language to express themselves live in a cage that cannot feel comfortable.
In the later books I am much more at home in the use of language to describe things. I had never thought of that until a critic pointed that out.
The politics of language and the politics of writing really got to me. I've heard this phrase more than once now: this idea of the poetry wars, or the idea that people within the space of writing are at odds with one another or manipulating language to further one's political stance, manipulating language in ways that really felt dirty to me. All of these things worked their way into and through language for me.
Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music. Music is the sunshine - the climate - of the soul, and it floods the heart with a perfect June.
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