A Quote by Sufjan Stevens
I'd like to do a record that doesn't even reference actual places. Because I think it's kind of an open-ended concept. It doesn't have to be taken so literally.
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Some places, because of their spiritual history, are noted to be locations where people will often experience an open heaven. In fact, there are places where the heavens are open more than in other places. Most of you are familiar with previous moves of God in places such as Toronto (The Toronto Blessing), the meetings in Pensacola, and Argentina, just to name a few. Just like in Jacob's day, today, there are certain places where heaven is open, geographical locations where you are more likely to have an encounter with God.
There are also places of power that reference the fourth and fifth chakras, which are places of balance, and places of power that reference the sixth and seventh chakras, which are places of wisdom.
I don't like high concept movies very much, and the kind of scripts that I would occasionally get offered tended to be really high concept comedies or romantic comedies. I just don't like it. I like much more realistic movies with actual psychology and behavior in them.
I would. I'm just too, I'm kind of, a pussy, I guess. That's the problem. But, no, I'd love to. I think everybody should do open mics. I think it's very healthy for your soul. So yeah, I'd love to do it again, but I don't know. It's like I'm cutting a record if I do open mic now, so, I don't know.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
When they come to Europe, they are confronted by still closed borders. Thus, the concept of open borders is a very selective concept, one that is not taken seriously at all in the experience of non-Europeans.
Every record we do there are always two camps. There's the camp that's like, "I love it. It sounds different than the last one." There are the people that are like, "I want it to sound like the last one." You can't please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
That's literally been a longtime dream of mine: to create a comic and an accompanying concept record.
I think the concept of ego has kind of taken over for a lot of people in our industry.
This record was kind of, like, innocent. It's called 'The Innocents.' So it's the concept of being young enough to not really understand the implications of your decisions and then kind of feeling the weight later and being, like, but I was innocent. Like, did I deserve this?
I had to have the record literally taken away from me. I am such a perfectionist.
I feel like in New York, we could of course open up more bike lanes, but I think it's even more important to create access for people to run, because I think it's more open to people of all socio-economic backgrounds. I think it's even more of an equalizer, in terms of sports.
I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.
I offered early on - I think I was governor about a month when I met President Obama - and said, 'I would like to visit with you in reference to border security, in reference to immigration. I'd like to be part of the discussion because I lived on the border all my life.' I've never received a call.
I think of scientific veracity as an idea from the past - the scientists say it is so, the photo is proof. Even the authoritative power of the word actual - an actual what? An actual retouched photo, an actual collaged photo?
From meeting Robert Plant, John Bonham, and John Paul Jones, teaming up, rehearsing, playing selected gigs outside of Britain, coming back into Olympic Studios to record the first album, and then going to America, which we crack open like a nut with the debut record - all that happened, literally, within months.
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