A Quote by Sugar Ray Leonard

To be honest, I don't know. I started one [book] back in 1982 or '83 when I first retired. But I was only 25 or 26 and not ready to write my memoirs. — © Sugar Ray Leonard
To be honest, I don't know. I started one [book] back in 1982 or '83 when I first retired. But I was only 25 or 26 and not ready to write my memoirs.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
In 1982, when I was almost 26 years old, I decided I wanted to write fiction. I'd majored in journalism in college, and I'd always assumed I would write nonfiction.
When you write your first book aged 25 or so, you have 25 years of experience, albeit much of it juvenile experience. The second book comes after an extra year sitting in bookshops. Pretty soon, you begin to run on empty.
The first book really was kind of an entertaining textbook for the homemaker. I couldn't find a good book about entertaining in 1982, and neither could my friend, so I decided to write it.
I started to read my first book at about the age of six. I started to write a book simultaneously. Not to compete, just to augment. And that's how one starts. Or I started.
It was pure guesswork on my part back in 1979 as to whether I would have the stamina to write, pencil, ink, letter, tone, and fill the back of a monthly comic book for 26 years.
It wasn't until I was 26 or 25 when I started sending work out to magazines.
A lot of writers that I know have told me that the first book you write, you write about your childhood, whether you want to or not. It calls you back.
I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.
Back In 1982, I started in show business with my brothers. We started a break dancing group.
There is poetry in fiction. If you cannot see it and feel it when you write, you need to step back and examine what you are doing wrong. If you have not figured out how to write a simple declarative sentence and make it sing with that poetry, you are not yet ready to write an entire book.
I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.
A is for Alibi, my first book, was published in 1982. As it happened the next couple of books took place in June and August of that year. Without meaning to I painted myself into a corner. The other issue was the aging process. I did not want my main character to age one year for every book so I slowed the whole process down. This way I could get through all 26 letters of the alphabet without making her 109 years old in 2015. I might end the series in either 1990 or on New Years Eve 1989.
This is my 51st year, but I'm not ready to quit. I definitely didn't think when I first started back in 1963 that I'd be doing this for 50 years, but how many guys can say they do it? When retirement comes, I'm not sure when it is, but I'll be ready for it.
I had a drug problem. I'd go to parties, take a leak, and there was cocaine right there. I was 25 when it started, rich, famous, and retired.
I don't know if memoirs can produce literary work of the first order. But I do know that novels are doing it only rarely.
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