A Quote by Suhasini Maniratnam

Actors should be writers. While a writer puts the story on paper, an actor puts it on screen. — © Suhasini Maniratnam
Actors should be writers. While a writer puts the story on paper, an actor puts it on screen.
What helps writers, and ultimately, obviously, helps the actors - who should serve the words that the writer puts on the page - is if the character has damages, because then the writers can cultivate and excavate, like a dentist going into a tooth.
Most writers, I'm afraid, live very boring lives sitting in front of a screen. However, having said that: every writer puts a bit of themselves into the characters to bring them alive.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
Even in the tragedies, [William] Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools.
To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
The more original a short-story writer, the odder looking the assortment of things he or she puts together for a story.
No actor is worth $3 million, not even Marlon. It puts too many other actors out of work.
The painter puts brush to canvas, and the poet puts pen to paper. The poet has the easier task, for his pen does not alter his rhyme.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
Writers and painters have a medium that can foster self-effacements. Actors haven't. An actor can't hide himself behind paper or canvas. If you're not there your art's not there. That's why we actors are often such self-centered objects.
The truly great writer does not want to write: he wants the world to be a place in which he can live the life of the imagination. The first quivering word he puts to paper is the word of the wounded angel: pain.
Let him not boast who puts his armor on as he who puts it off, the battle done.
Even in the tragedies, Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools. He puts in certain middle-range characters. And when you go to the Globe, you realize how that all works. The people who paid more sat in seats around the edge. Everybody else paid a penny. They put it into a tin box - that's why we call it the "box office." They stood in the pit, but they were very close, so when Hamlet was doing his soliloquy, it was addressed to you, the audience - right there.
The Internet "browser"... is the piece of software that puts a message on your computer screen informing you that the Internet is currently busy and you should try again later.
For in Paris, whenever God puts a pretty woman there (the streets), the Devil, in reply, immediately puts a fool to keep her.
In old age, you realise that while you're divided from your youth by decades, you can close your eyes and summon it at will. As a writer it puts one at a distinct advantage.
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