A Quote by Suhasini Mulay

I was a documentary film-maker for 26 years before I became a full time actor. — © Suhasini Mulay
I was a documentary film-maker for 26 years before I became a full time actor.
There's a documentary film-maker called Werner Herzog, who's a German film-maker. I really dig his stuff, I'd love to chat with him.
I feel as if I became a documentary film-maker only because I had writer's block for four decades. There's no other good reason.
To the documentary director the appearance of things and people is only superficial. It is the meaning behind the thing and the significance underlying the person that occupy his attention... Documentary approach to cinema differs from that of story-film not in its disregard for craftsman-ship, but in the purpose to which that craftsmanship is put. Documentary is a trade just as carpentry or pot-making. The pot-maker makes pots, and the documentarian documentaries.
I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
I grew up Jewish, became an atheist and a Marxist, and 28 years ago, at age 26, became a Christian.
People outside the documentary world don't realize how time-consuming making a documentary film is there is a lot of responsibility, and in order to make something good you need time.
When I left university I was working for a documentary film company for six or seven years to the great relief of my father whose greatest waking fear was that I would become an actor.
In Delhi, I got a chance to assist someone on a documentary film. Then I moved to Mumbai. This was before the satellite TV. One had to assist a director for years before being able to direct a movie.
We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
When I became a film-maker, all my favourite films, they weren't comedies.
A documentary film-maker can't help but use poetry to tell the story. I bring truth to my fiction. These things go hand in hand.
I've been wanting to go into music ever since I can remember. I mean even before I became an actor. I just thought it would be a tough field to break into, so I became an actor instead.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
But one of the amazing things about documentary is that you can remake it every time you make one. There is no rule about how a documentary film has to be made.
My experience I consider an accident in the Hollywood system. I don't believe it should be a reference for a black film maker, or an example for any young film maker, because it's purely luck.
When you make a documentary film, after many years the only thing you remember is what you put into the film, not what you took out.
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