A Quote by Suhayl Saadi
In everything I write, I seek out something which I term, 'the music'. This is an energy centre which I cannot define and which lies beyond the realm of obvious poetic technique.
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We must wish either for that which actually exists or for that which cannot in any way exist or, still better, for both. That which is and that which cannot be are both outside the realm of becoming.
Religion is the vision of something which stands beyond, behind, and within, the passing flux of immediate things; something which is real, and yet waiting to be realised; something which is a remote possibility, and yet the greatest of present facts; something that gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest.
The insatiable thirst for everything which lies beyond, and which life reveals, is the most living proof of our immortality.
If you're a writer, you know there are ways in which we don't know what we're doing at all. We're working out mysteries in a sort of poetic realm, and hoping that if a story is honest, if you're dragging the deep truth out of yourself, then something good and profound might come out of it.
Music springs from and is replenished by a hidden source which lies outside the world or reality. Music ever spoke to me of a mysterious world beyond, which moved my heart deeply and eloquently intimated its transcendental nature.
The heart is that which lies at the centre of things, and is also formless. It is simple awareness devoid of movement to and fro, of past and future, within and without, merit and harm. Wherever the centre of a thing lies, there lies its heart, for the word 'heart' means centrality.
There is a measure in everything. There are fixed limits beyond which and short of which right cannot find a resting place.
What we call music in our everyday language is only a miniature, which our intelligence has grasped from that music or harmony of the whole universe which is working behind everything, and which is the source and origin of nature. It is because of this that the wise of all ages have considered music to be a sacred art. For in music the seer can see the picture of the whole universe; and the wise can interpret the secret and nature of the working of the whole universe in the realm of music.
Correct is to recognize what diseases are and whence they come; which are long and which are short; which are mortal and which are not; which are in the process of changing into others; which are increasing and which are diminishing; which are major and which are minor; to treat the diseases that can be treated, but to recognize the ones that cannot be, and to know why they cannot be; by treating patients with the former, to give them the benefit of treatment as far as it is possible.
All men and women are connected by an energy which we call love, but which is, in fact, the raw material from which the universe was built. This energy cannot be manipulated, it leads us gently forward, it contains all we have to learn in this life. If we try to make it go in the direction we want, we end up desperate, frustrated, disillusioned, because that energy is free and wild.
I try to make art which celebrates doubt and uncertainty. Which provokes answers but doesn't give them. Which withholds absolute meaning by incorporating parasite meanings. Which suspends meaning while perpetually dispatching you toward interpretation, urging you beyond dogmatism, beyond doctrine, beyond ideology, beyond authority.
The physiological law of Transfer of Energy is the basis of human success and happiness. There is no action without expenditure of energy, and if energy be not expended the power to generate it is lost. This law shows itself in a thousand ways in the life of man. The arm which is not used becomes palsied. The wealth which comes by chance weakens and destroys. The good which is unused turns to evil. The charity which asks no effort cannot relieve the misery she creates.
The most difficult thing in music is still to write a melody of several bars which can be self-sufficient. That is the secret of music. While the technique should be as perfected as possible, that is a lesser essential Anybody can acquire a brilliant technique Melody alone permits a work to survive.
But we never tell the truth. We cannot properly 'tell' the truth, because our words are crude tools to express something, 'the truth', which may well exist, but which we cannot define.
My mind is a centre of Divine operation. The Divine operation is always for expansion and fuller expression, and this means the production of something beyond what has gone before, something entirely new, not included in past experience, though proceeding out of it by an orderly sequence of growth. Therefore, since the Divine cannot change its inherent nature, it must operate in the same manner in me; consequently in my own special world, of which I am the centre , it will move forward to produce new conditions, always in advance of any that have gone before.
The fact that, with time, this League [of Nations]-which was presumably designed by its founders to exist for all eternity-cannot be coupled with a Treaty the short term of which is inherent in its own weaknesses and impracticabilities, is a point which can perhaps be contested by today's interested parties, but which will one day be deemed a matter of course in history.
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